CHAPTER 23
image TV Script Form, Supers and Glossary

There is no universal script marking system for television. Every station seems to do things a bit differently. Some newsroom computer systems dictate some designations, but most systems allow stations to customize the look and approach to suit themselves. This chapter lays out a reasonably typical system that can be used as a base suitable for alteration.

ABBREVIATIONS

CG: Character generator. Designate what it’s to look like by using separate lines and uppercase and lowercase to correspond to use on air. Sometimes abbreviated CH, CI or CY (after Chyron, the company that once dominated the field).

CU: Close-up, standard bust shot for a single anchor.

Gfx: Graphics. Note what it is.

IN: In cue of SOT in VO/SOT.

MATTE: To indicate more than one live video source on the screen at the same time.

OUT: Out cue of SOT in VO/SOT.

PKG: Reporter package that ends with standard signature (sig) close unless otherwise noted (e.g., Jane Smith, XXXX-TV, Cityville). Sometimes abbreviated PK.

SOT: Full screen sound on tape.

SS: Still store (electronic). Sometimes designated as BSS (box still store) or FSS (full [screen] still store). Make clear what it’s to be.

3-shot: Three-shot on camera. Since most stations have more than three anchors, designate which three. Also note the order—for example, Jean/Jan/George where Jean and Jan are the usual co-anchors and George either is normally on the right doing, for example, sports, or is a reporter who is to be sitting on the right.

2-shot: Two-shot on camera. Because most stations have more than two anchors, designate which two (although it may be understood that it means the two news anchors unless otherwise noted).

VO: Voiceover; presumes natural sound under unless designated as silent (VO/sil).

SCRIPT FORM

Standard Anchor Read

To indicate standard medium/close-up shot of the anchor who’s reading the copy:

VIDEO AUDIO
CU: Jean ((Jean))

Three more arrests in the latest drug roundup on the west side today.

Standard 2-Shot

To indicate a standard two-shot:

VIDEO AUDIO
2-shot: Jean & Jan ((Jean))

Three more arrests in the latest drug roundup on the west side today.

((Jan))

It’s a follow-up to the two dozen arrested …

Standard Anchor Read with Gfx

To indicate a medium/close-up shot of anchor with box graphics:

VIDEO AUDIO
CU: Jean ((Jean))
BSS: drugs

Three more arrests in the latest drug roundup on the west side today.

Anchor with Voiceover

To indicate anchor read to voiceover copy with super:

Video Audio
CU: Jean ((Jean))
BSS: drugs

Three more arrests in the latest drug roundup on the west side today.

VO--------------

It’s a follow-up to the two dozen arrested yesterday at the Village Apartment Complex.

CG: West Cityville
IN: :02
OUT: :06

 

Note the IN: and OUT: after the super, giving the time during which a super can be run.

Anchor with VO/SOT

To indicate a VO/SOT:

Video Audio
CU: Jean ((Jean))
BSS: drugs

Three more arrests in the latest drug roundup on the west side today.

VO--------------

It’s a follow-up to the two dozen arrested yesterday at the Village Apartment Complex.

CG: West Cityville
IN: :01
OUT: :05

Police Chief George Smith says it’s all part of a new “get-tough” approach.

SOT-------------- ((--------------SOT--------------))
CG: Chief George Smith Cityville Police

“We’re going to go in there and clean things up. The people of the city have a right to live in peace, and we’re going to keep up the pressure until we’ve gotten rid of every one of them.”

IN: :08
OUT: :13
((Jean))
VO--------------

Officers confiscated cocaine, marijuana, and L-S-D.

 

Remember after SOT to note who is reading and whether it’s VO or on camera.

Anchor VO/SOT with Package Intro

To go into a reporter package:

VIDEO AUDIO
CU: Jean ((Jean))
BSS: drugs

Three more arrests in the latest drug roundup on the west side today.

VO--------------

It’s a follow-up to the two dozen arrested yesterday at the Village Apartment Complex.

CG: West Cityville
IN: :02
OUT: :06

Police Chief George Smith says it’s all part of a new “get-tough” approach.

SOT-------------- ((--------------SOT--------------))
CG: Chief George Smith Cityville Police

“We’re going to go in there and clean things up. The people of the city have a right to live in peace, and we’re going to keep up the pressure until we’ve gotten rid of every one of them.”

IN: :08
OUT: :13
VO-------------- ((Jean))

Officers confiscated cocaine, marijuana, and L-S-D. Reporter Sam Jones says the county prosecutor plans to file hundreds of charges.

SOT/PKG-------------- ((--------------SOT/PKG--------------))

SUPERS

Names

STANDARD NAME SUPER: Notice that in the previous examples, name supers took up two lines while place supers occupied one. With a few exceptions, that’s the way supers should appear on the air. For most people supers, the first line gives the name, the second line the reason why that person is on the air:

CG:

Molly McPherson

Airline Spokesperson

CG:

Ann Bishop

Witness

Note that even if you use all caps for the script, you’ll have to use uppercase and lowercase for supers. Otherwise, whoever types in the supers won’t know how to spell a name like McPherson. Make sure to use gender neutral terminology. People who fight fires are called firefighters; those who fight criminals are police officers.

 

NAMES WITH COMPANY IDENTIFIERS: Generally, specific company names are not used in supers unless the story is about that company or about several specific companies. In the latter case the super might be like this:

CG:

John Smith

State Savings Bank Manager

But if John Smith has been sought out simply because he’s in banking, use this:

CG:

John Smith

Bank Manager

 

PEOPLE IN AUTHORITY: People who are in some position of authority require some different handling of supers. There should be no need to super the president or vice president of the United States. The governor of your own state may be supered on one line:

CG:

Gov. Pat Smith

Everyone else runs two lines. In most cases the name goes on the first line and the title on the second:

CG:

Dana Greene

Cityville Police Chief

CG:

Dana Greene

Village County Sheriff

CG:

Dana Greene

Ohio Lt. Governor

CG:

Dana Greene

Alaska Governor

 

TITLE AND RANK: Titles or ranks are used in the first line with the names in the case of clergy, the military, and police and fire officers who are not the people in charge:

CG:

Rev. Ralph Taylor

United Methodist Church

CG:

Sgt. Ralph Taylor

U.S. Army

CG:

Capt. Ralph Taylor

Cityville Police Dept.

 

POLITICIANS: Politicians—U.S. and state—should be supered with federal/state and House/Senate designation along with name on line one and party affiliation and place represented (excluding district number) on line two:

CG:

U.S. Sen. Jane Doe

(R) Kansas

CG:

U.S. Rep. John Doe

(D) Detroit

CG:

Indiana Rep. Betty Smith

(R) Indianapolis

Remember that congressman/congresswoman has no real meaning (all senators and representatives are members of Congress); don’t use the term.

 

CANDIDATES FOR OFFICE: Super all candidates for public office—even those who currently occupy elective or appointive office—by party affiliation and the office they’re seeking. You can make clear in the story itself if any of the candidates now hold some office:

CG:

Betty Smith

(R) Governor Candidate

CG:

John Smith

(I) Legislature Candidate

 

DOCTORS: There are too many doctors of too many different things to use Dr. in a super preceding a name anymore. Medical practitioners should have the appropriate letters follow a comma after the name:

CG:

Jane White, M.D.

Family Medicine

CG:

Stephen Glenn, D.D.S.

General Dentistry

CG:

Elizabeth Flint, D.O.

General Osteopathy

Do not use either Dr. or Ph.D. in a super:

CG:

Henry Appleman

Cityville School Supt.

CG:

Louise Appleman

OSU Economist

 

INITIALS AND ACRONYMS: Minimize both initials and acronyms in supers. The same guidelines apply for supers that apply to copy. If the organization is well enough known to use initials or an acronym first reference, then it’s okay for a super. Acceptable initials: AFL/CIO, CIA, FBI, NAACP NFL and a few others. Otherwise, write it out:

CG:

Ken Jones

United Auto Workers

 

CELEBRITIES: Celebrities are best identified with either their last major work or, if that’s not appropriate, a general identifier:

CG:

Mark Harmon

“NCIS”

CG:

Bob Goldthwaite

Comedian

 

NAME ALIAS: If someone is on the air who does not wish to be identified, have the person pick an alias, and put it in quotes:

CG:

“Patrice”

Rape Victim

 

SOMEONE NOT ON CAMERA: An exception to the two-line super is the use of a voice of someone who will not be seen—either for more than five seconds of a first bite or not at all. In that case, identify as follows:

CG:

Voice of: Sam Jones

Gay Homeowner

 

MULTIPLE NAMES: If more than one person is on the screen, it may be necessary to call for a super screen right or screen left. But be careful about the timing on this:

CG:

John Smith (screen rt.)

Auto Mechanic

 

UNUSUAL SPELLING: And if the spelling is unusual, make clear that the way you’ve spelled it is correct:

CG:

John Smythe (sp ok)

Charged with murder

In the last two examples those directions on screen location and spelling apply only to stations that manually enter the supers into the system. Newsrooms that are completely computerized simply need to enter the correct codes to make it happen properly.

 

MOS: MOS is short for man-on-the-street (although including both men and women). There’s normally no reason to super MOSs. That’s assuming that you’ve just gone out on the street to collect short comments from people about some issue in the news that you’re using in a montage of bites.

 

CREDITING OUTSIDE HELP: When crediting outside help, like a courtroom sketch artist or a freelance photographer, use the same form as a voice of super:

CG:

Artist:

Sam Smith

CG:

Photojournalist:

Janet Jones

Location, Date and Miscellaneous

LOCATORS. The first rule is to think about whether you need a locator at all. If the story is about disposable diapers and you happened to shoot it in North Cityville, don’t bother with a super. If it could have been anywhere, let it be.

If the story is outside the core city of coverage, super the name of the town, county, area—however the place is known:

CG:

Marysville

CG:

Delaware County

If the story is within the core city of coverage, use whatever broad terminology local residents use:

CG:

Downtown Cityville

CG:

East Cityville

If a specific address is necessary (especially on a crime story), use it all (including street, road, city, etc.):

CG:

2201 Velvet Place

Cityville

The second rule for using locator supers is to make sure that they’re going to run over location video—not a tight shot of some document or a medium shot of a person who’s been interviewed. Locators are inevitably a balancing act between being as broad as possible and as meaningful as possible.

 

DAY AND DATE: The viewer understands that video on the news was shot that day for that story. If that’s not the case or there might be any question, then make sure the video is properly identified. A story on farm produce prices using last week’s general farm video probably doesn’t need a super. It probably really doesn’t matter when that video was shot. But a story about John Smith being charged with a crime shouldn’t run over any unidentified video of John Smith unless it’s from that day. Crime video must always be specifically dated.

Be as general in dating as you can, given accuracy and context. If you’re doing month-by-month comparisons, exact dates are not relevant:

CG:

February

CG:

Last Month

If you’re using video from last Tuesday:

CG:

Last Tuesday

That’s almost always preferable to the exact date. If the event you’re showing happened during the current calendar year, leave off the year; if it happened in a previous year, use the whole date:

CG:

January 15

CG:

January 15, 2011

CG:

January 2011

If all else fails and you absolutely must use a particular piece of previously shot video, and it can’t go on unidentified, but an exact date isn’t known or doesn’t make sense, use:

CG:

File Tape

This is an absolute last resort.

The only time a super saying this morning would be used on the air would be on a morning or noon show to indicate how timely the video is (or to show a comparison with later video, which would be so marked). The same concept would apply for tonight.

 

LOCATOR AND DATE: Locators may be used with dates:

CG:

January 15

Nassau County

CG:

Tonight

North Cityville

 

IDENTIFYING OUTSIDE VIDEO: Video must also be identified if the station (or the station’s network) didn’t shoot it. That includes movie video, video from other networks, public service announcements and commercials, with clarifying “courtesy” in parenthesis:

CG:

(courtesy) Columbia Pictures

CG:

(courtesy) Public Service Announcement

CG:

(courtesy) Commercial

On movies or music videos, just courtesy the distributor or producer, not the title. Spell out public service announcement. Most people don’t know what PSAs are.

GLOSSARY OF BROADCAST AND ONLINE TERMS

actuality: The “actual” sound of someone in the news on audio tape. This applies only to a news maker, not a reporter. Bite is the television equivalent.

affiliates: Stations with an agreement with one of the networks in which the stations have first call on programs carried by the network. Depending on the size of the market, TV affiliates are paid by the network to run the commercials within the programs (how much they’re paid depends on how much audience they produce for the network). In radio, larger stations are paid, but smaller stations are not—depending on the size of the audience the station delivers.

anchor: The talent on the set who delivers the news. Also used to refer to on-the-set talent who present sports and weather.

assignment desk, editor: Common in TV, rare in radio except the largest stations, this is the nerve center of the newsroom. Assignment editors, working at the assignment desk, schedule stories for reporters to cover and photographers to shoot. The desk may also perform research for reporters and other newspeople.

ax: Common abbreviation for accident.

B-roll: An old film term: Pictures shot to accompany reporter or anchor script. See the second definition of cover shot.

background/bg: Usually in TV, the natural sound on video that is run at lower volume, under the voice of a reporter or anchor. Same as wild sound under or natural sound under.

backtiming: Timing a story or, more commonly, a newscast from the back forward to help ensure that the newscast ends on time.

beat: An area of coverage that a reporter deals with on an ongoing basis, e.g., health, consumer, police.

bg: See background/bg.

billboard: Used variously, but most commonly as an announcement on the air—sometimes by a commercial announcer, sometimes by a newscaster—that a particular advertiser is sponsoring a news program or segment.

bite: The selected section of sound on tape (SOT) of a news maker or news event on TV to be run at full volume as SOT (see SOT). The TV equivalent of a radio actuality.

blog: Short for web log. Individual or group commentary or observations online.

bridge: Used variously but usually refers to an internal stand-up (see stand-up) within a reporter package (see package).

BSS: Box still store. See SS.

character generator: Electronic equipment that produces supers (titles) used to identify people, places and things on TV. Abbreviated CG: (sometimes CH: or CI: or CY:—short for common brand name of Chyron) on script paper.

chromakey: The electronic merging of two video sources. Often the generation of pictures behind news, sports and weather anchors.

close-up/CU: A picture in which the subject is framed fairly tightly on the screen, generally no wider than head and shoulders.

cold open: Starting a TV newscast with video or a bite from the lead story rather than starting with the anchor or the standard show open.

copy: Scripts written for a newscast.

cover shot: (1) A scene of video used to cover or bridge what would otherwise be a jump cut (see jump cut) or simply to bridge scenes for time transitions; (2) in some shops, cover shots or cover video refers to video that accompanies narration. Also called B-chain or B-roll.

crawl: Text running across (usually) the bottom of the screen.

crowdsourcing: In media, generally asking people in the audience (online or mobile devices) to determine or verify information.

CU: See close-up.

cut: A direct, abrupt change from one video scene to another. The most common form of editing in TV news.

cutaway: Same as first definition of cover shot.

dayside: Refers to the newsroom staff who work generally between 8 a.m. and 7 p.m., culminating in the early evening news. See nightside.

dissolve: A video cross-fade in which one image is slowly (typically one-half to three seconds) replaced with another image. This softer form of editing (than cuts) is used most often in features to denote scene changes or passing of time.

domain: The end of the basic web address—after the period but before any slashes.

drive times: The time periods when radio station audiences are generally highest—because so many people are in cars. Morning drive usually runs from 6 a.m. to 10 a.m. weekdays (peak radio listening overall). Afternoon drive usually runs from 3 p.m. to 7 p.m. weekdays.

dub: As a noun, a copy of audio or video material. As a verb, the act of copying audio or video material.

ENG: Electronic news gathering. The term applies to videotape or digital video (rather than film) material from the field.

ESS: Electronic still store. See SS.

establishing shot: Typically, the first shot in a video story, which shows the general context of the location rather than a tighter shot of some of the details.

evergreen: A story, typically a feature, that can be held for later airing because it’s not timely.

feed: Video or audio from an outside source, e.g., a network or from a station’s live truck.

Flash: Animation program for web pages from Adobe.

font: Set of typeface styles in a character generator. See character generator.

FSS: Full (screen) still store. See SS.

future file: Filing system (physical file or on computer) to keep track of events coming up in the future, usually involving days of the month and months of the year. Sometimes called futures file.

gfx: Common abbreviation for graphics.

gif: Graphics Interchange Format … mostly used for illustrations and graphics on the web.

handout: A press release given or sent to the news media.

heavy: In a newscast, means that the show is running long and something will have to be cut back or eliminated. See light.

html: Hypertext markup language for coding instructions on the web.

hyperlocal: News about a much smaller community than we commonly see covered, most often a geographic area.

ifb: Interrupt feed or fold back. Usually refers to both the anchor’s and reporter’s earpieces and the audio that goes through it on live shots. Designed for the reporter to hear the station audio without his or her own voice and enables the producer or director to talk directly to the anchor or reporter to provide cues or information.

IN: Script notation to mark in cue of SOT in VO/SOT. See also OUT.

interactivity: Generally, the ability of the audience to respond and participate in an activity, either online or through television.

jpeg: Joint Photographic Experts Group … compression for good quality photos at relatively fast download speeds on the web.

jump cut: An unnatural movement between edits caused by the internal editing of material such that two similar but not identical or flowing video shots are placed next to each other. The result is a discernable jump in the picture.

kicker: An unusual, light or humorous story—usually short—run at the end of a newscast.

lav: Short for lavaliere—a small mic that clips on to clothing.

light: In a newscast, means that the show is running short and something will have to be expanded or added. See heavy.

livechat: In media, generally software that allows a live connection between an audience and a live person

localizing: Finding a local news aspect to a story that is not otherwise directly related to your community.

long shot/LS: Similar to an establishing shot, this is a picture showing a wide view of the story the camera is capturing. Same as wide shot/WS.

MATTE: Split screen. Term indicating more than one live video source on the screen at the same time.

medium shot/MS: Between a close-up and a long shot, the medium shot shows some detail of the picture without getting too close.

message board: A web page where comments can be posted.

mix minus: An engineering term referring to the elimination of the reporter’s or anchor’s audio through an ifb—thus preventing feedback or disconcerting delayed audio.

MP3: Motion Picture Experts Group, Audio Layer 3 … an audio compression format used for downloading.

MPEG: Motion Picture Experts Group … a system for digitizing and compressing video for downloading. Pronounced m-peg.

multimedia: Online, generally refers to the mixed use of text, audio, video, graphics, animation, and so on.

natural sound: The actual sound of whatever is being recorded (audio or video), generally intended to be run under a reporter’s or anchor’s voice. Same as wild, ambient or background sound.

nightside: Refers to the newsroom staff who work generally between 2 p.m. and 11:30 p.m., culminating in the late evening news. See dayside.

O & O: Abbreviation for owned and operated—in reference to stations that are actually owned and run by the networks, rather than just affiliated with the networks.

OUT: Script notation to mark out cue of SOT in VO/SOT. See also IN.

outtakes: Audio or video material recorded for a story but not used on the air.

package: A report, usually put together by a reporter, usually including the reporter, reporter voiceover, natural sound, and one or more interview segments (bites). Usually abbreviated PKG, sometimes called pack. Normally ends with standard signature (sig) close (or out) unless otherwise noted.

paywall: Requiring payment in order to access an online site.

pixels: Short for picture elements … the tiny circles of color that make up a video screen. The more pixels, the more detail and sharper the image.

podcast: Online, material available for download to be played on a computer or portable electronic device.

pool: Generally refers to the use of shared (or pooled) resources, most commonly a single photographer or group of photographers at an event where all media can receive and use the material.

pre-pro: Short for pre-production, the advance production of material done prior to the newscast.

producer: A field producer works with a reporter to determine the audio and video aspects of a story. A segment producer typically oversees the writing and production of various segments within a newscast (e.g., health, consumer). A show producer or line producer typically oversees the writing, graphics, sequence and, to varying degrees, content of a newscast. An executive producer typically oversees one or more newscasts and the producer or producers who handle those newscasts. Depending on the station, the executive producer is likely to be the number 2 or number 3 management person in the newsroom (after the news director and assistant news director, if the station has one).

PSA: Most commonly used as an abbreviation for public service announcement—spots run for free by radio and TV stations for nonprofit events or organizations. Also refers to pre-sunrise authority, by which certain AM radio stations operate at reduced power between 6 a.m. and average monthly sunrise.

Quicktime: Video format developed by Apple.

rating: The percentage of people or households listening (radio) or watching (TV) of all the people or households who could listen or watch (in the defined area and have a radio or TV). See share.

reader: In TV, a story to be read by an anchor on camera.

SEO: Search engine optimization … the process of choosing words, especially in headlines, to maximize the ability of search engines to locate material.

share: The percentage of people or households listening (radio) or watching (TV) of all the people or households who are listening or watching at that time. See rating.

sig out, sig close: The standard line used by reporters to end all packages. Typically something like Sue Smith, WXXX-TV, Cityville.

sil: Abbreviation for silent—to indicate that there is no usable audio on a piece of video. See also VO.

slug: Refers to the word or phrase identifying a given story on assignment listings and show rundowns. Also refers to the slug line plus the initials or last name of the writer, the date and the newscast the story is being written for—all of which generally appear in the upper left or across the top of the page.

SNG: Satellite news gathering, as opposed to in the studio or via microwave.

SOT: Stands for sound on tape. Usually used to indicate that a segment of video should be run at regular, full audio level (with accompanying picture).

spots: Radio and TV term for commercial announcements.

SS: Still store (electronic) frequently designated as BSS, box still store (the box accompanying an anchor shot), or FSS, full (screen) still store (where the video fills the screen).

stand-up: A story or segment of a story during which a reporter at the scene talks on camera.

stick mic: Handheld microphone. See lav.

super: The superimposition of lettering over video—most commonly names and titles.

sx: Common abbreviation for sports. Also sometimes Spx.

tag: Scripted close to a radio or TV package, story or commercial—usually at least one full sentence.

talent: People who perform on the air, including newscasters, weather and sports, but not reporters.

tease, teaser: Usually a short bit of information on an upcoming story that is used to tease the audience so they will continue to listen or watch the newscast, especially used just before commercials.

toss: The introduction of another person or video by an anchor or reporter.

url: Uniform resource locator … the address of a website.

visuals: Pictures or graphics accompanying a story. See B-roll.

VO: Short for voiceover, used to indicate anchor or reporter reading during a video segment. Presumes voiceover natural sound unless indicated otherwise (VO/sil).

voiceover: See VO.

voicer: In radio, a story read by a reporter, with the reporter’s voice (and perhaps natural sound under) the only audio on the tape (no actualities).

VTR: Videotape recording.

webcast: Audio or video feed on the web … usually streamed live. wide shot, WS: See long shot/LS.

wild sound: See background/bg and natural sound.

wrap: In radio, a voicer that includes one or more actualities. Also a time cue directing talent or reporter to conclude presentation or interview.

wx: Common abbreviation for weather.

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