16mm Atlas, 44
3/4-inch system, 346
35mm film, 42
Academy Award, 237, 240, 270, 290
Academy for Film and Theatre, 233
Actors/actresses:
Adjani, Isabelle, 72
Arrighi, Niké, xiv
Bardot, Brigitte, 18
Bogarde, Dirk, 71, 168, 169, 177, 269
Bonnaire, Sandrine, 72
Burton, Richard, 232
Chaplin, Geraldine, 57
Close, Glenn, 340
Curtis, Tony, 339
Day-Lewis, Daniel, 340
Deneuve, Catherine, 17, 19, 20
Fernandez, Wilhelmina, 71
Fonda, Henry, 118
Fonda, Peter, 235
Hackman, Gene, 266
Hancock, Sheila, 268
Hayworth, Rita, 57
Hepburn, Audrey, 118
Hepburn, Katherine, 33
Huppert, Isabelle, 87, 119, 177
Huston, Anjelica, 340
Josephson, Erland, 184, 187, 189
Karina, Anna, 12, 13, 14, 17, 18, 317, 339
Keitel, Harvey, 305
Léaud, Jean-Pierre, 19
Loren, Sophia, 87
MacDowell, Andie, 350
Malkovich, John, 340
Mann, Norman, xiv
Massine, Leonide, 118
Mastroainni, Marcello, 33, 118, 156
Minelli, Liza, 189
Moore, Roger, 291
Moreau, Jeanne, 33
Nicholson, Jack, 57
Noiret, Philippe, 177
O’Toole, Peter, 235
Rafferty, Chips, 291
Rampling, Charlotte, 266
Redgrave, Vanessa, 188
Russell, Theresa, 260, 261, 266
Schneider, Maria, 120
Schneider, Romy, 117
Schygulla, Hanna, 156
Seyrig, Delphine, 16, 19, 57, 71, 72, 162
Signoret, Simone, 188
Tatou, Audrey, 340
Trintignant, Jean-Louis, 120
von Sydow, Max, 305
Waits, Tom, 72
Walters, Julie, 350
Williams, Kenneth, 268
Winslet, Kate, 382
York, Susannah, 266
Yulin, Harris, 72
Adéquation, 28
Alien technology, 263
American Cinema, 25, 127, 145, 226
mass perception, 146
Animatics, 262
Associated Television (ATV), 271, 272, 274, 277, 278, 280, 291
Automated Dialogue Replacement (ADR), 311, 350
Avid Film Composer, 221
Avid Media Composer, 131
Barrandov Film Studio, 237, 239, 241
Bavarian school, 165
BBC executive:
BBC films, 292
Beaconsfield Studios, 251, 321, 326
Books:
All Our Yesterdays, 58
Arturo’s Island, 134
In Praise of Shadows, 58
Lessons with Eisenstein, 206
Nel buio della moviola, 73
Notes on Cinematography, 200, 202
Promenades Avec Julio Maruri, 55
The Empty Space, 72
The Parades Gone By, 313
The Technique of Film Editing, xiii
Towards a Theory of Montage, 244
What is Cinema, 202
British Film Institute (BFI), 301, 313, 318, 339
California Institute for the Arts, 339
Cameramen, see Cinematographers
Cannes festival, 117, 158, 235, 366
Cave dwellers, xv
CCC Film Studios, 158
Censorship, 63
Centro Sperimentale di Cinematografia, 77–8, 88
Champ-contre-champ, 22, 71, 72
Christ’s College, 268
see also Films
Cinema verite, 209
Cinematographers:
Decae, Henri, 18
Lassally, Walter, 156
Nykvist, Sven, 182, 189, 194, 202
CNC, 64
Comedians:
Chaplin, Charlie, 122, 246, 250, 251
Keaton, Buster, 3
Commentator, 120
Commercial films, 51, 109, 169, 298, 323, 373, 379
Composers/musicians:
Attwell, Winifred, 295
Benzi, Roberto, 5
Coltrane, John, 120
Davis, Miles, 120
Gelmetti, Vittorio, 102
Gillespie, Dizzy, 120
Mihály, Vig, 231
Parker, Charlie, 120
Critical moments, for an editor, 264–5
CTM editing machine, 62
Cutting room, 1, 47–8, 56, 73, 84, 108, 119, 136, 184, 212, 248, 298, 330, 374
Delta, 40
Deutsches Filminstitut, 164
Digital editing, 242
advantage, 129
Digital sound system, 154, 156
Digital technology, 137, 147, 220, 226, 242, 262, 326, 336
Directors:
Aldrich, Robert, 266
Alexandrakis, Eleni, 141
Amelio, Gianni, 20, 121, 123, 126, 134
Anderson, Lindsay, 58, 217, 298, 305, 312, 313
Angelopoulos, Theodoros, 141, 143, 144, 156
Antonioni, Michelangelo, 64, 87, 228, 235, 314
Attenborough, Richard, 292
Barat, François, 53
Baxter, Ronnie, 291
Beauvois, Xavier, 18
Bellochio, Marco, 57, 98, 114, 117, 120
Beresford, Bruce, 339
Bergman, Ingmar, 20, 33, 58, 128, 134, 177, 179, 187, 189, 244
Bertolucci, Bernardo, 117, 119, 120, 279, 292, 340, 366, 383
Bolognini, Mauro, 73, 87, 88, 105, 119
Bresson, Robert, 72, 136, 200, 202, 281, 292, 339
Brzozowski, Jaroslaw, 208
Buñuel, Luis, 19, 66, 71, 119, 134, 189, 197–8, 202
Cacoyannis, Michalis, 143, 155–6
Chaplin, Charles, 33
Chechik, Jeremiah S., 340
Chytilova, Vera, 245, 246, 250
Cocteau, Jean, 71
Coppola, Francis Ford, 118
Corman, Roger, 266
Costa-Gavras, 45, 59, 279, 292
De Robertis, Francesco, 76, 87
De Sica, Vittorio, 76, 80, 87, 118, 366, 383
Demy, Jacques, 38, 44, 50, 54, 58, 59
Donner, Richard, 88
Douglas, Bill, 301, 313, 331, 339, 340
Dreyer, Carl Theodore, 63, 64, 128, 134
Eisenstein, Sergei, 3, 205–6, 244
Erice, Victor, 135, 136, 139, 140
Fassbinder, Rainer Werner, 163, 166, 167, 177, 178
Fellini, Federico, 20, 33, 118, 235
Forman, Milos, 213, 217, 292, 339
Frank, Robert, 68, 69, 306, 307
Frears, Stephen, 315, 321, 324, 340, 351, 364, 366
Gance, Abel, 38, 41, 54, 58, 313, 339
Ghosh, Durga, xiv
Gilliam, Terry, 332, 340, 358, 366
Glenville, Peter, 235
Goodhew, Philip, 350
Goulding, Alfred, 88
Greenaway, Peter, 178
Greengrass, Paul, 58
Guney, Yilmaz, 45, 46, 47, 58, 59
Haynes, Todd, 57
Hitchcock, Alfred, 3, 123, 136, 289
Hopper, Dennis, 235
Ioseliani, Otar, 244
Jancsó, Miklós, 106, 119, 120, 225, 228, 229, 233, 235, 239, 244
Jires, Jaromil, 236, 237, 243, 246, 250
Kadar, Jan, 243
Kalatozishvili, Mikheil, 233, 235
Karamagiolis, Menalaos, 143, 145, 156
Khan, Mehboob, 57
Kieslowski, Krzysztof, 207, 209, 214, 217
‘King’ Vidor, Charles, 57, 118
Klimov, Elem, 382
Konchalovsky, Andrei, 243, 244
Kubrick, Stanley, 123, 251, 256, 266, 306
Kurosawa, Akira, 66, 71, 192, 197, 219, 318, 365, 371, 380
Lanzmann, Claude, 43, 47, 58, 59
Lattuada, Alberto, 18, 105, 119, 120
Leigh, Mike, 233, 235, 244, 279, 292
Leone, Sergio, 69, 73, 88, 117, 118, 357, 366
Lester, Richard (Dick), 235, 296, 312
Loach, Ken, 57, 268, 271, 281, 291, 292, 293
Lopushansky, Konstantin, 243, 244
Losey, Joe, 58
Lowthorpe, Philippa, 277, 288, 292
Mackendrick, Alexander (Sandy), 329, 333, 339
Mackinnon, Gillies, 341, 344, 350, 367, 382
Makavejev, Dusan, 22, 34, 189, 262, 267
Malkovich, John, 312, 314, 340
Marczewski, Wojciech, 218, 219, 222, 366
Marker, Chris, 340
Martineau, Jacques, 38, 40, 50, 56
Melville, Jean-Pierre, 71
Menzel, Jiri, 246, 250, 317, 318, 339
Michailkov, Nikita, 244
Moodysson, Lukas, 190, 197, 202
Moretti, Nanni, 39, 57, 114, 120
Nichetti, Maurizio, 354, 365, 366
Ophuls, Max, 134
Oshima, 202
Ozon, Francois, 18
Pabst, G.W., xiv
Peckinpah, Sam, 58, 251, 257, 260, 266, 302, 303, 313
Pialat, Maurice, 20, 21, 24, 28, 33, 34
Pilger, John, 271, 274, 275, 276, 291
Polanski, Roman, 366
Pontecorvo, Gillo, 366
Porter, Ron, xiv
Radford, Michael, 115, 120, 351, 366
Ramsay, Lynne, 351, 358, 359, 366
Reed, Carol, 290
Resnais, Alain, 19, 48, 60, 64, 71, 119, 162, 168
Richardson, Tony, 57
Rickman, Alan, 244
Robbins, Matthew, 266
Roddam, Franc, 306, 307, 313, 314
Roeg, Nicolas, 58, 118, 251, 255, 260, 266, 267, 310, 313, 340
Rosi, Francesco, 88
Rossellini, Roberto, 80, 88, 91, 123, 286
Russell, Ken, xv
Sarraulte, Anne, 63
Schroeter, Werner, 163, 171, 173, 174, 177, 178
Sher, Jack, 312
Sinyor, Gary, 292
Sjoberg, Alf, 58
Slama, Bohdan, 244
Soderberg, Stephen, 40, 57, 350
Stein, Peter, 72
Stevens, George, 33
Tarkovsky, Andrei, 190, 192, 193, 202, 203, 204, 206, 237
Tavernier, Bertrand, 291, 304, 313
Techine, André, 34
Tornatore, Guiseppi, 177
Truffaut, François, 18, 19, 20, 23, 33, 35, 36, 59, 71, 217, 235, 246, 366
Ullmann, Liv, 187, 195, 198, 202
Varda, Agnés, 18, 39, 42, 43, 49, 53, 55, 57, 58, 59, 60
Visconti, Luchino, 33, 64, 76, 87, 164, 177
Ward, Vincent, 350
Watt, Harry, 291
Welles, Orson, 3, 94, 116, 162, 383
Wenders, Wim, 157, 158, 159, 162, 202, 244, 314
Disney animation:
Winnie the Pooh and the Blustery Day, 188
Documentaries, 30, 42, 43, 44, 54, 55, 58, 93, 207
Born as a Diesel, 161
Orson Welles Spanish documentries, 116
Questions of Leadership, 273, 274, 277, 291
The Cinema According to Bertolucci, 134
The Red and the Blue, 272, 273, 277, 291
The Tribe that Hides from Man, 291
Which Side are you on?, 273, 276, 291
Documentary Film Studios, 209
Donatello, 85
DOP:
Drama:
Song of Summer, xv
Tutti a casa, 88
Dubbing/sound mixer:
D-vision, 346
Éclair Laboratory, 61
Editing, 35, 36, 194, 207, 216
electronic, 376
future, 239
key aspects, 265
music, 91
purpose, 254
Editing against the rules, 153
Editing machines:
16mm Atlas, 44
Final Cut Pro System, 131, 134
Moritone, 2, 21, 27, 33, 67, 71
Moviola, 33, 40, 67, 71, 270, 291, 320, 330, 346
Steenbeck, 66, 71, 116, 142, 147, 263
Editor qualities, 234
Editors:
Allen, Dede, 178, 215, 319, 322, 333, 339, 373, 383
Audsley, Mick, 277, 292, 315, 365, 366
Baragli, Nino, 73, 96, 117, 366
Beck, Reggie, 168, 177, 300, 311, 313
Bouché, Claudine, 14, 18, 21, 33, 366
Dedet, Yann, 17, 19, 20, 35, 67, 72
Denis, 281
Di Ciaula, Pia, 341, 367, 369, 372, 373, 375, 380
Ducigis, Cècile, 366
dysfunctional beings, as, 202
Eraldo da Roma (Eraldo Judiconi), 75, 76, 87
Fiedler, Milenia, 218
Fisárek, Alois, 245
Gédigier, François, 65
Hranitsky, Agnes, 228, 229, 231
Hunter, Ted, 270
Juaniz, Julia, 135
Kachyna, Karel, 246
Kornis, Anna, 223
Leszczylowski, Michal, 190
Lorenz, Juliane, 163, 167, 178
Mamou, Sabine, 38
Mastroianni, Ruggero, 85, 88, 177
Morris, Jonathan, 276
Nowak, Christophe, 18
Paggi, Simona, 121
Palk, Anthony, 291
Palotai, Éva, 232
Perpignani, Roberto, 88, 89, 92, 125, 228
Priestley, Tom, 306, 313, 366, 359
Przygodda, Peter, 157
Rees, Charles, 318, 319, 320, 323, 339
Rossiter, Mike, 287
Sansom, Hazel, 276
Savage, Norman, 253, 254, 257, 266
Shirley, John, 291
Valusiak, Josef, 219, 222, 236
Vince, Barrie, 288
von Schlieffen, Margot, 165, 166
Yannopoulos, Takis, 141
Yoyotte, Marie-Josephe, 66, 71
Zonn, Lidia, 207
Zucchetti, Lucia, 351
Elstree Studios, 269, 270, 272
Estro Armonico records, 63
European cinema, 25, 54, 116, 137, 247
art films, 233
inventions, editing, 239
European film-makers, 145, 239
Executive producers:
Expo 58, technological exhibition, 236
FAMU, 219, 222, 236, 237, 239, 246, 248
Feminine qualities, editor, 234
Fiction films, 12, 41, 49, 212, 214, 236
Film buffs, 6
Film critics and theorists, 216
Film-makers, 137, 201, 212, 238, 274, 355
Film-making, 368, 371, 377, 379, 381
editing principle, 237, 240, 241
Film protagonists, 229
Films:
A Film Novel – Three Sisters, 224, 228
A Fish Called Wanda, 266
A Generation, 202
À la recherche du Soleil, 174
A Man and a Woman, 58
À Nous la liberté, 217
A Place in the Sun, 33
A Simple Twist of Fate, 370, 382
A Taste of Honey, 340
Abigail’s Party, 292
Ae Fond Kiss, 293
Ali, Fear Eats the Soul, 166, 177
Alice Adams, 33
Almodozások kora (The Age of Day-Dreaming), 233, 235
Alphaville, 18
Alumbramiento (Lifeline), 136, 140
Another Way, 235
Antonio das Mortes, 120
Apes, 189
Ashes and Diamonds, 202
Ay, Carmela!, 140
Baisers Volés, 14, 15, 16, 18, 19
Beau travail, 34
Before the Revolution, 100, 105, 106, 109, 112, 113, 117, 378, 383
Being John Malkovich, 312, 314
Beyond the Aegean, 195
Blue Velvet, 88
Bonnie and Clyde, 312, 314, 319, 339
Breaking the Waves, 72
Breathless (À Bout de Souffle), xv, 37, 105, 119, 233, 314, 356, 366
Bridget Jones’ Diary, 293
Britannia Hospital, 305, 307, 313
Brothers and Sisters, 322, 339
Burnt By the Sun, 244
Carmen, 140
Carosello Napolitano, 104, 118
Carrington, 340
Céline and Julie Go Boating, 71
Chinese Roulette, 166, 167, 177
Chocolat, 34
Citizen Kane, 100, 101, 117, 118, 383
Closely Observed Trains, 250, 318, 339
Come and See, 382
Comme les Anges Déchus de la Planéte Saint-Michel, 43, 58
Crìa cuervos, 140
Cross of Iron, 257, 258, 260, 262, 266, 302, 313
Cuisine, 59
Daguerrotypes, 64
Daisies, 250
Daleks Invade the Earth, 253, 266
Dance with a Stranger, 315, 326, 340
Dancing at the Blue Iguana, 115, 120
Dangerous Liaisons, 328, 331, 340
Dark Blue World, 250
Day for Night (La Nuit Américaine), 36, 37
Dear Diary, 57
Death in Venice, 164, 176, 177
Deathwatch (La Mort en Direct), 304, 313
Opera Der Dreigrossenoper (Die Dreigroschenoper), 68, 72
Diana, the People’s Princess, 313
Die Another Day, 350
Dirty Pretty Things, 315, 328, 331, 340
Divorce Italian Style, 88
Don Quixote, 117
Drifting Clouds, 58
Drole de Felix, 57
East from the West or the Discreet Charm of the Media, 228
Eight-and-a-half, 20, 33, 233, 235
El Sur, 139
Eleftherios Venizelos, 143
Elvira Madigan, 189
Empedocles, 114
Esther Kahn, 72
Eva, 313
Execution Squad (The Police say thank you), 109, 120
Fanny and Alexander, 179, 184, 186, 189
Fear and Loathing in Las Vegas, 366
Femme entre chien et loup, 91
Feux rouges, 34
Field of Lilies, 250
Fireman’s Ball, 281, 292, 318, 339
Fists in the Pocket (I pugni in tasca), 39, 57, 117
Five Easy Pieces, 189
For a Fistful of Dollars, 88
Four Weddings and a Funeral, 292
From the City of Lodz, 217
Geneviève de Brabant (Genoneffa di Brabante), 38, 57
Germany year Zero, 87
Giant, 33
Good Morning Babylon, 110, 120
Goodfellas, 334
Hana-Bi, 57
Hard Day’s Night, 232, 235, 312
Hets (Torment), 58
Hidden Agenda, 292
Hope Springs, 314
House of Mirth, 339
I Could Go on Singing, 269, 291
II Gattopardo (The Leopard), 20, 33
II Grido, 64
II Postino (The Postman), 115, 120
In a Year with Thirteen Moons, 175–6, 178
In Desert and Wilderness, 217
In the Beginning there was Underwear, 365
In This World, 366
Indian Summer, 244
Indiana Jones, 291
Intimate Lighting (Intymne oswrietlenie), 211, 217, 244
Isadora, 366
J’entends plus la guitare, 34
Jagged Edge, 291
Jeanne and the Perfect Guy, 50, 51
Jeanne Dielman, 57
Jeanne et le Garçon Formidable, 40, 57
Jewel of the Nile, 308, 311, 314
Jour dê fete, 33
Jules et Jim, 35, 37, 105, 233, 235, 356, 366
Jurassic Park, 291
Kanal, 202
King Lear, 319
King of Marvin Gardens, 40, 57
Kolya, 250
L’ Amour en fuite, 19
L’ Année Derniére á Marienbad, 63, 64, 67, 71, 105
L’Ennui, 34
L’homme des vallées perdues (Shane), 20, 33
La CageAux Folles, 71
La Chienne’, 3
La Grande Bouffe, 88
La Jetée, 340
La Maman et la Putain, 59
La Mariée était en noir (The Bride Wore Black), 21, 33
La Naissance de l’amour, 34
La Nouvelle Eve, 59
La Nuit Américane (Day for Night), xiv, 16, 19, 36
La Prison (The Devil’s Wanton), 20, 33
La Règle du jeu’, 3
La Reine Margot, 65, 69, 71, 72
La Ronde, 134
La Sirene du Mississipi, 15, 18, 19
Lamerica, 121
Land and Freedom, 276, 283, 284, 289, 291, 293
Larisa, 382
Last year in Marienbad, 158, 162
Lavender Hill Mob, 266
Lawrence of Arabia, 350
Le Gout de Plaire, 50
Le Petit Soldat, 10, 13, 14, 18
Le Temps et la Chambre, 68, 72
Le Testament d’Orphée, 71
Léon Morin, Prétre’, 71
Les Glaneurs et la Glaneuse (The Gleaners and I), 60
Les Quatre-Cents Coups The 400 Blows), 19, 37, 53, 59, 71, 105, 213, 217
Les Rendez-Vous d’Anna, 57
Letters from a Dead Man, 244
Life is beautiful, 121
Life, Love & Celluloid, 172, 178
Lightning over Water, 162
Lilya-4-ever, 202
Little Big Man, 178
Love, 235
Ma Vrai vie á Rouen, 38, 50, 57
Malina, 177
Mandala Fille des Indes, 40, 57
Map of the Human Heart, 350
Maria’s Lovers, 244
Marinai senza stelle, 76
Masculin–Féminin: 15 faits précis, 18
Mémoires d’un jeune con, 8, 18
Memoirs of a Survivor, 312
Miracle in Milan, 87
Mischka, 72
Mona et Moi, 34
Monsieur Hulot’s Holiday, 33
Morgan, a Suitable Case for Treatment, 317, 339
Mother, 119
Muriel, 71
Musik I Morker (Music is my Future), 58
My Ain Folk, 313
My Beautiful Laundrette, 315, 328, 340
Napoléon, 41, 58, 313, 319, 339
Narcissus and Psyche, 225, 228
Neighbours, 339
Nenette et Boni, 34
Night and Fog (Nuit et Brouillard), 48, 59
Oi teleftaioi tou Roupel (The Last Ones at Roupel), 143
Oi yperifanoi (The Proud Ones), 143
On l’appelait le roi laid, 58
Once Upon a Time in America, 73, 79, 88
Once Upon a Time in the West, 73, 357, 366
One Sings, the Other Doesn’t, 42, 58
Ossessione, 87
Padre Padrone, 90, 91, 110, 120
Pandora’s Box, xiv
Partie de Campagne, 118, 361, 366
Passe-Montagne, 26, 28, 34, 53, 59
Phantom of the Liberty, 107, 119
Private Vices and Public Virtues, 108, 114, 120
Pull My Daisy, 72
Raging Bull, 340
Ragtime, 88
Railway Station, 217
Ratcatcher, 351, 359, 360, 361, 362, 366
Red Psalm, 235
Reflections in a Golden Eye, 253, 266
Reflections, 228
Regeneration, 341, 344, 345, 349, 369, 373, 376, 382
Repentance, 244
Return of the Jedi, 291
Richard III, 291
Riff-Raff, 273
Roberto Succo, 34
Roselyne et les Lions, 71
Sabotier du Val de Loire, 54, 59
Salle de Bains á Saisir’, 59
Salto nel Vuoto (A Leap in the Dark), 114, 120
San Miguel (St Michael had a Rooster), 110, 120
Saving Private Ryan, 291
Sawdust and Tinsel, 189
Scenes from a Marriage, 187, 189
Secrets and Lies, 235, 243, 244
Sept Pieces, 59
Sex, Lies and Videotape, 57, 350
Shoot the Piano Player (Tirez sur le pianiste), 35, 37
Singin’ in the Rain, xiii
Small Faces, 344, 350, 371, 382
Sonatine, 57
Sophie, 202
State of Siege, 59
Steaming, 313
Straw Dogs, 257, 266, 302, 313
Summer Folk, 72
Sunset Boulevard, 177
Sweet Movie, 34
Sweet Smell of Success, 339
Szerelem (Love), 233
Tango, 135
Ten Minutes Older, the Trumpet, 135, 140
The Battle of Algiers, 87, 356, 366
The Beggars Opera, 72
The Bicycle Thieves, 87, 88, 354, 366, 379, 383
The Butterfly Hunt, 244
The Conformist, 109, 119, 120, 202, 279
The Cranes are Flying, 232, 235
The Crying Game, 267
The Deserter and the Nomads, 250
The Dirty Dozen, 266
The Dog’s Night Song, 225, 228
The Dreamers, 117
The End of St. Petersburg, 119
The Escapist, 341, 347, 348, 350, 367, 371
The Fabulous Baker Boys, 311, 314
The Gateway to Europe, 219, 222
The Gladiator, 147
The Goalkeepers Fear of the Penalty, 158, 162, 244
The Gospel According to Saint Matthew, 73, 379, 383
The History of Anti-Semitism, 291
The Italian Straw Hat, 217
The Joke, 250
The Killing Fields, 340
The King of Roses (Der Rosenkonig), 171, 172, 178
The Last Detail, 319
The Living from the Dead, 49, 59
The Loneliness of the Long Distance Runner, 39, 57
The Lord of the Rings, 147, 340
The Lords of Discipline, 306, 313
The Magnificent Ambersons, 383
The Man Who Fell to Earth, 310, 314
The man who had his hair cut short, 91
The Man Who Knew Too Much, 2, 3
The Market, xv
The Masque of the Red Death, 266
The Matrix, 262
The Mission, 340
The Night of San Lorenzo, 110, 114, 120
The Other Boleyn Girl, 277, 288, 292
The Overlanders, 291
The Party and the Guests, 250
The Prime of Miss Jean Brodie, 254, 266
The Quince Tree Sun, 139
The Rise of Louis XIV, 88
The Romantic Englishwoman, 300, 313
The Round Up (Szegenylegenyek), 119, 228, 233, 235
The Sacrifice, 190, 192, 196, 198, 202
The Serpent’s Egg, 165, 177, 183, 189
The Seventh Seal, xiii, 189, 238, 244
The Shop on Main Street, 237, 243
The Sons Room, 57
The Spider’s Strategem, 107, 109, 120
The Spirit of the Beehive, 139
The Stationmaster’s Wife, 167, 177
The Travelling Players, 156
The Treasure of the Sierra Madre, 266
The Trial (Le Proces), 95, 96, 98, 117
The Wild Bees, 244
The year of Frank W, 214
The years of the Big Heat, 155
Tis mias drachmis ta yassemia (A Pennyworth of Jasmines), 143
To Joy, 189
Tree of Wooden Clogs, 244
Twelve Angry Men, 188
Two English Girls (Les Deux Anglaises et le Continent), 36, 37
Umberto D, 87
Ume Femme mariée, 18
Under Satan’s Sun (Sous le soleil du Satan), 28, 34
Under the Sign of the Scorpion, 108, 109, 110, 113, 115, 120
Une Chambre en ville, 44, 45, 46, 57, 58
Une Femme est une femme, 14
Une partie de campagne’, 3
Unsuitable Job for a Woman, 322, 323, 340, 323
Up the Junction, 292
Vagabond, 59
Valerie and her Week of Wonders, 243, 250
Variety Lights, 119
Vivre sa Vie, Film en Douze Tableau, 10, 12, 13, 18, 317, 339
Water dropping on Burning Rocks, 18
Waterland, 340
West Side Story, 232, 235, 383
Western, 34
What’s Good for the Goose, 281, 292
Which Side Are You On?273, 276, 291
Whisky Galore, 339
Winnie the Pooh and the Blustery Day, 180, 188
Witchfinder General, 279, 280, 292
Woman between Wolf and Dog, 244
Woman of the River, 87
Woman of the Year, 33
WR Mysteries of the Organism, 189
Yellow Submarine, 339
Young Aphrodites, 156
Zorba the Greek, 156
Final Cut Pro System, 131, 134
Foley, Tom, 156
Free Cinema movement, 313
Freedom to work, 49, 52, 53, 69, 105, 146, 171, 220, 347
Freelance, 149, 166, 277, 278, 364
Freiwillige Selbstkontrolle (FSK), 164
French New Wave, 12, 18, 33, 34, 64, 105, 119, 158, 199, 209, 378
Frileux, 42
German Film Institute, 164
Gethin, 313
Grass Valley, 346
Hamburger films, 201
Hollywood, 53, 57, 107, 120, 137, 145, 175, 201, 237, 262, 282, 302
film-makers, 220
Ideal editor, 26, 149, 240, 249
Image, 10, 25, 26, 27–8, 31, 32, 60, 92, 193, 210, 227
Imagination, 107, 130, 186, 214, 220, 227, 228, 242, 259, 262, 311, 346
Institute des Hautes Etudes Cinematographiques (IDHEC), 6, 7, 14, 50, 68, 71, 72
Institutions:
Centre National de la Cinèmatographie, 64
Centro Sperimentale di Cinematografia, 77, 78, 88
Cinémathèque, 10, 18, 34, 63, 64
National Film and Television School, 355, 366, 382
The London School of Film Technique, xiii
Interviewers:
Billard, Pierre, 37
Romney, Jonathan, 229
‘Iron Curtain’ country, 232
Italian Association of Film Editors, 73
James Bond film, 212
Jeune Cinéma, 37
Kent Messenger, xv
Lavies, Gertrud, 164
Lavies, Hans-Wilhelm, 164
Lightworks, 29, 34, 249, 287, 310, 346
Literature and film, difference, 230–1
London Commonwealth Film Festival, xv
Magazines:
Masculine decisions, 215
Masculine quality, editor, 234
Memoir, 213
Turnaround – a memoir, 217
Memorial Enterprises, 298, 313
Middle classes and culture, 119, 191, 201, 268
Mise-en-scène, 1
Mixing sheets, 10
Montage, 1–3, 36, 37, 69, 140, 205, 258, 327
Morgenstern, Madeleine, 17, 19
Moscow Film School, 205
Moviola, 33, 40, 67, 71, 270, 291, 320, 330, 346
Multi-personalities:
Artaud, Antonin, 20, 32, 107, 119
Blin, Roger, 42
Bragg (Lord Bragg), Melvyn, 273, 291
Brownlow, Kevin, 303, 313, 318, 319, 323, 339
Céline, Louis-Ferdinand, 104, 118
Clifford, Graeme, 255, 256, 266
Fosse, Bob, 183, 189, 198, 202, 235
Gladwell, David, 298, 306, 312
Godard, Jean-Luc, 1, 4, 7, 10, 18, 37, 71, 108, 119, 123, 202, 233, 235, 314, 339, 366
Hampton, Christopher, 329, 340
Huston, John, 104, 118, 253, 266
James, Roger, 271, 272, 277, 291
Karabasz, Kazimierz, 209
Karydis-Fouks, Aristidis, 142, 155
Lambrinos, Andreas, 141, 142, 155
Pasolini, Pier Paolo, 73, 82, 88, 105, 117, 119, 383
Scorsese, Martin, 87, 177, 333, 340
Stévenin, Jean-François, 23, 24, 25, 28, 29, 34
Winterbottom, Michael, 358, 366
Music and editors, 176
National Film and Television School (NFTS), 355, 366
National Film School, 18, 71, 72, 88, 339
National Film Theatre, 229
Neo-realist revolution, 128
Nepotism, 77
New technologies, 128, 133, 226, 248
Nick’s Film, 162
Non-linear digital technology, 226, 247
Non-linear systems, for editing, 221, 346
Novelists:
de Lautrèamont, Comte, 107, 119–20
Novels:
All Day Saturday, 309
Homage to Catalonia, 276
The Marriage of Mr. Bolwieser, 167–8
Official editing team, 117
One take of six minutes, 70
Oscar, 253, 266, 267, 291, 340, 350
Paillard-Bolex eight millimetres, 20, 33
Painters:
Da Vinci, 176
Goya, 140
Parallax Pictures, 292
Paramount, 306
Paris Pullman, 253, 266, 317, 318
Pentax S1A, 296
Perception of distance/space, 213
Philosophers:
Kierkegaard, 275
Photographers:
Cartier-Bresson, Henri, 104, 118, 200, 202
Pinewood Film Studios, 279, 292
Playwright:
Poetic narration, 211
Poet:
Polish cutting table, 215
Polish Film School, 201, 208, 209, 219, 222
Polytechnic of Central London (PCL), 355, 356, 358, 366
Post-production supervisors:
Prevost editing machine, 93, 116, 124
Producers:
Clore, Leon, 339
Denton, Charles, 271, 275, 276, 291
Frankovic, Mike, 77
O’Brien, Rebecca, 277, 287, 292
Rouquier, Georges, 59
Production designers:
Harris, Andy, 381
Protagonists, 101, 114, 115, 145, 203, 212, 229–30
Qualities essential for film editing, 220
Re-cutting, 41, 100, 117, 132, 256, 377
Rhythm of sequence, 214
Roger Crittenden, 367, 368, 374
Rushes:
Ryerson, 342
Safety shots, 62
Scandex, 261
Science fiction films, see Fiction films
Screenplay, 114, 130, 131, 238, 240, 267, 314, 331, 370
Screenwriters:
Argento, Dario, 366
Ellis, Ruth, 340
Laverty, Paul, 278
Moravia, Alberto, 17
Owen, Alun, 235
Smith, Neville, 340
Script, 8, 26, 47, 60, 115, 138, 152, 187, 215, 348
Scriptwriters, see Screenwriters
Series:
Berlin Alexanderplatz, 172, 175, 178
Danger Bay, 343
In the Land of Don Quixote, 116
Play for Today, 279
That was the Week that was, 292
The Opium Warlords, 291
Singers:
Six-track sound recording, 250
Sound, 27–8, 41, 56, 132, 138, 153–4, 216, 221, 227, 250, 348–50
Sound design, 69, 154, 221, 241
Sound editors:
Murch, Walter, 383
Sound recorder:
Sound tracks:
Mag, 291
on magnetic film, 117
Spiritual films, 243
Stage revue:
Stan rzeczy, 211
Steenbeck, 66, 71, 142, 147, 152, 270, 281, 288, 301, 321, 377
Storytelling, 25, 27, 59, 106, 107, 212, 239, 372
Swedish Film School, 202
Teamwork, 124
Technological changes, 133
Technology, 56, 137, 146, 147, 148, 222, 346, 350
The British Film Institute Production Board, 339
The third eye, 148
The Whales of September, 211, 217
Theatre du Soleil, 178
Transition to digital, 335, 338
Translators:
Battista, Emiliano, 73
Milne, Tom, 18
TV show:
The Right to Reply, 291
Video, 7–8, 51, 102, 103, 133, 137, 249, 363
Weinstein, Harvey, 308
Working practice, 215
Writers:
Amado, Jorge, 134
Bazin, André, 25, 34, 117, 202
Conrad, Joseph, 118
Dinesen, Isak, 117
Doyle, Roddy, 340
du Maurier, Daphne, 266
Gregory, Philippa, 292
Krasznahorkai, 230
Kureishi, Hanif, 72
Lucci, Gabriele, 73
Luis Borges, Jorge, 120, 219, 222
McCullers, Carson, 266
Morante, Elsa, 134
Moravia, Alberto, 17, 105, 119, 134
Nizhny, Vladimir, 206
Novak, Jan, 217
Pirandello, 120
Thackeray, 266
Wells, H.G., 118
Wytwornia Filmsiv Dokumentalnych, 209