Chapter 6

Stories

Stories awaken possibility because they inspire curiosity and help us imagine what might be possible. Ursula K. Le Guin, one of the great science fiction writers, wrote stories to “dislodge my mind, and so the reader’s mind, from the lazy, timorous habit of thinking that the way we live now is the only way people can live.”1 Stories also motivate us to take action, even in the face of uncertainty. Indra Nooyi, the CEO who led Pepsi through a massive health and sustainability transformation, told us in a 2018 interview that stories were her primary tool for change: “I could fall back on a lot of personal stories, you know, talk about my own experiences growing up with water shortages and electricity shortages … examples of issues related to health and wellness that were very personal and stark.”

When facing uncertainty, the most useful stories encourage imagination, hope, curiosity, and purpose. If we can imagine a narrative about our personal uncertainty with characters, conflict, and resolution, we are on our way to a powerful reframing of the possibility at hand. When Clare and David Hieatt moved back to the tiny town of Cardigan, Wales, they could feel the negative effects caused by the collapse of the jeans industry when jobs had gone overseas twenty years earlier. For David, this kind of loss felt personal because a similar closure happened when he was a boy. He recalls riding the school bus and seeing the dirty faces of the miners returning from work, until one day, when the mine closed, “they were gone. Just like that, they vanished.”2

The Hieatts were determined to do something to change their town for the better. When David tells the story, he starts with his beliefs: “I’ve always loved business, but … I’ve always thought a business could be a tool for some kind of change you believed in.”3 Upon discovering that Cardigan had been the headquarters of jeans manufacturing in the UK, leaving hundreds of skilled makers behind, he knew what they were going to do: instead of making low-cost jeans, they would make a great pair of jeans, sustainably, get people their jobs back, and show that “you can make in Britain and you can do it really, really well.”4

But how do you get people to believe in something that already failed? Again, use your story. When it’s told truthfully, with heart and purpose, customers rally with your brand and respond. The Hieatts’ “getting people their jobs back” story is powerful because of the authenticity of its characters, conflict, purpose, and optimism. But it also sells their jeans. Every year they are able to hire back more of the “grand masters,” and customers have responded. Even Meghan Markle, the Duchess of Sussex, wore a pair, promoting their cause. Today the Hieatts operate from the same factory that shut down two decades ago, and from that remote place at the edge of the sea they inspire a network of influence and change.

According to neuroscience studies, stories have a remarkable ability to change our thinking, for example by demonstrating how our minds literally sync with each other as we hear a story.5 But decades before neuroscience proved it, philosopher Søren Kierkegaard wrote about the importance of imagining what we can do as the first step in eventually taking action. Kierkegaard believed deeply in our potential, if we could just imagine it, writing that “there is nothing with which every [person] is so afraid as getting to know how enormously much he/she is capable of doing and becoming.”6 It is an inspiring thought and worth reflecting on, given Kierkegaard’s conclusion after a lifetime of reflection on human possibility: “If I were to wish for anything, I should not wish for wealth and power, but for the passionate sense of the potential, for the eye which, ever young and ardent, sees the possible.”7

How can you get started on creating your own story to guide you through uncertainty? Begin by paying attention to what social entrepreneur Mike Smith calls “the tiny whisper that tells us we can do something incredible.” Looking around his isolated, rural town of two thousand people with a poverty rate above 40 percent, Smith heard that whisper. His idea was to create an indoor skatepark that could serve as a resource for kids like the one he had been: creative, a bit rebellious, on the fringes but needing community. He didn’t even have a checkbook, but he assembled a group of advisers and started fundraising to support the park. Today, that skatepark has welcomed over 10,000 skaters, served over 250,000 meals, and helped over 1,000 youth with its services. Smith’s many humanitarian projects are sponsored by major brands like Vans, Jostens, and Red Bull.

Reflecting on finding his story, Smith argues it’s not about traditional success metrics but finding what you are good at.

Look, I’m a white guy from Nebraska who graduated with a 2.4 GPA, an 18 on my ACT test, and was accepted to one small college to play sports because my grades were bad. I’m the most average human being. If I can make stuff happen, so can others. But we have to ask what’s driving us. It cannot be money…. People always say do what you’re passionate about, [but] you should do what you’re good at, what you have a good skill set for. For me, it was gathering a community around an issue, networking, and speaking.8

Melinda Thomas, cofounder of multiple companies including Octave Bioscience, CardioDx, and ParAllele, and New York City’s first entrepreneur in residence, takes this advice a step further, arguing that you should systematically explore your strengths. Part of what helped her through the uncertainty of multiple startups—the “foggy whiteout conditions without a road map … [where] you don’t quite know what to do or how to move forward”—was having a sense of her skill set.9 “Pay attention and be introspective,” she advises. “Take every test you can take. Myers-Briggs. Superpower. StrengthsFinder.” Pay attention to what resonates and then “pilot the hypotheses” in low-risk situations to build your confidence around what you like and are good at. It is on the back of these “certainties” that you have the strength to step into the unknown.

If you are struggling to find a story, trust curiosity. Journalist and author Elizabeth Gilbert recounts how after her fourth book, Eat Pray Love, sold twelve million copies, she set to work on another memoir. But when she finished, she concluded, “Truly, the book was crap. Worse, I couldn’t figure out why it was crap. Moreover, it was due at the publisher [and] I had absolutely no passion for writing. I was charred and dry. This was terrifyingly disorienting.”10 A friend advised, “Take a break! Don’t worry about following your passion for a while. Just follow your curiosity instead.” Gilbert admits she was curious about gardening—not passionate, just curious—and so she spent the next six months planting vegetables. “I was pulling up the spent tomato vines when—quite suddenly, out of nowhere—I realized exactly how to fix my book. I washed my hands, returned to my desk, and within three months I’d completed the final version of Committed—a book that I now love.”11

Curiosity is indeed a tiny whisper that we hear when we pay attention and that grows stronger when we follow it. Paul Smith grew up dreaming about and preparing to become a professional cyclist. But when a biking accident put him in the hospital for six months, he had to change course. He began to get curious about clothing design, and when out of the hospital, he took a class on tailoring clothes. That led to a job on Savile Row and then to opening his own small store, a mere thirty square feet. Today he is an internationally recognized designer with stores all over the world.12

It can be empowering to remember that whatever happens to us, our life is the story we tell from it. When we asked Benjamin Gilmour what led him to ride a motorcycle through Pakistan, save lives in an ambulance in Mexico City, and make films featured at Cannes and the Oscars, he simply said, “I grew up getting read to every night…. I love the stories where the protagonist makes remarkable choices, not the safe choice…. I wanted my life to be a remarkable story.”13

Reflection and Practice

Like all Reframe tools, the power of stories lies in finding and harnessing new possibilities. A powerful story will encourage curiosity, help you imagine what’s possible, and create the desire to get you moving forward. Imagine your life as a shelf holding several books full of potential stories, and ask, “What story do I want to pull down off the shelf and read? What do I wish the main character of my story would do?” It’s your turn to create a story to guide you through uncertainty. Here are some ways to start:

  1. Imagine speculative personal fictions. Alone or with the help of friends, develop a handful of short paragraphs about what your life could look like in five years. Alternatively, at the beginning of the year, write the holiday card that you would love to be able to send at the end of year. What would it look like to live an intentional year you felt inspired by? Use these to start breaking boundaries about what the future could be. If you find yourself getting stuck, try the inverse and write a story about what you don’t want. Remember that great ideas may start as tiny whispers.
  2. Focus on values, questions, and problems to be solved rather than specific outcomes. Most of us think of stories in terms of outcomes (e.g., I want to be a CEO, I want to be married and have two kids by age 38). Try to focus instead on the values and passions that are important to you (healthy relationship, meaningful work) or the problems you could solve that would be most interesting to you. For example, why do you want to be the CEO? Do you have a different vision for how the company should be run or how it should treat its people? Infuse your story with verbs like help, inspire, shape, and change, rather than lists of achievements.
  3. Develop a narrative, not a vague mission statement. We are motivated by narratives—with characters, conflict, and resolution—more than by mission statements. Stories about who we are and the future we are trying to create will be more powerful than any vague “strategy.”
  4. Take time for introspection to uncover the tiny whisper. Ask yourself, “Under what circumstances do I do my best work?” Also, ask friends, colleagues, parents, and partners what they see as your strengths and capabilities.
  5. Use your strengths in new ways. As you think about strengths, you may want to play with the level of abstraction. For example, perhaps you like working in teams, but the bigger-picture thing you enjoy is helping people.

This book is the product of applying this tool. We met early in life, fell in love, and had four children quickly. Sometimes we only had a hundred dollars at the end of the month, and so to survive we specialized, Nathan in his career and Susannah in the family. But we shared an intellectual curiosity from the very beginning, taking courses together at university (Susannah always scored higher). And even though she completed graduate school just after our third child was born, Susannah decided to start her own clothing line instead of pursuing a PhD like Nathan. As our kids grew and Nathan’s tenure-track positions required more focus, we specialized further, culminating in an almost Leave It to Beaver division of tasks by the time we moved to France.

While Nathan continued investigating how innovators navigate the uncertainty that comes with doing new things, we shared many passionate discussions on uncertainty over dinners and long walks because we were living it: leaving our faith tradition, moving to France, navigating parenting challenges. For example, our children’s schools in Fontainebleau turned into daily torture, and in the space of two weeks we relocated to Paris, increasing the uncertainty (and maladaptive specialization). Now Nathan needed to make more money to pay for school tuition. Scarcity meant Nathan said yes to every opportunity for extra income, and he began traveling nonstop. It was taking a toll on us and our friendship, but we didn’t know how or what else we could do.

We started to work on our fading friendship and the imbalance of our pursuits but we were both overworked, Susannah in particular, with boring, thankless tasks. Both of us felt underappreciated. We worked with life coaches and a marriage therapist, but we still didn’t know how to put down the story we were living and go back to the one we dreamed of when we met. When Covid-19 erased Nathan’s entire calendar overnight, his distress hit the roof. He intuited it was the right time to sit down and write the uncertainty book but was frantic to use his grounded time well. What would this book be about? What was the angle?

Susannah had ideas and started imagining this book—the one we ultimately wrote—explaining that he should write it for everyone, not just for managers, because uncertainty is a human condition. Uncertainty could be navigated, not just “managed,” she argued. Even though it became obvious how much Susannah was contributing intellectually, Nathan (he is embarrassed to admit) still hesitated. He had just been granted tenure at a top school and had a streak of three bestselling books published by Harvard Business Review Press. What would it mean to publish with his spouse? Would people take it seriously? Meanwhile, Susannah wasn’t sure she could stomach his dismissive, “I can do it myself” antics. She knew she had great ideas and would steer the book in a more authentic, helpful direction … if he was lucky enough to have her join.

In some ways, the story upon which we originally formed our relationship had grown dusty on the shelf, pushed way back, forgotten. When we both listened for the tiny whisper, we knew working alongside each other as researchers and writers was a shared dream, and we decided to try. It was like the early days of university, and we naturally found an exhilarating rhythm that felt right. Be forewarned: We still fell into old stories and suffered through lots of rounds of frustration and feeble threats about leaving the project. If Susannah was going to be a coauthor, it meant Nathan needed to pitch in more with household tasks and time-consuming French bureaucracy. Nathan recalls imagining the books on the shelf of his life. When he considered pulling down a book coauthored by Susannah, its story buzzed with curiosity and possibility.

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