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by Karen Pearlman
Cutting Rhythms, 2nd Edition
Cover
Title
Copyright
Contents
PREFACE TO THE SECOND EDITION
PREFACE TO THE FIRST EDITION
ACKNOWLEDGMENTS
INTRODUCTION
CHAPTER 1 Rhythmic Intuition
Intuitive Thinking
Movement and Intuition
Rhythm is Made of Movement
Noticing Movement as Rhythm
Feeling Movement’s Rhythmic Potential
Empathy with Movement: Experience, Body, and Brain
Being Rhythm and Thinking Rhythmically
Summary
CHAPTER 2 Editing as Choreography
Shifting the Discussion from Music to Movement
Pulse
Movement Phrases
Why Bother with Phrasing?
Phrasing Considerations
Summary
CHAPTER 3 Timing, Pacing, and Trajectory Phrasing
Timing
Pacing
Trajectory Phrasing
Summary
CHAPTER 4 Tension, Release, and Synchronization
Tension and Release
Synchronization
Case Study in Tension, Release, and Synchronization: Broadcast News
Summary
CHAPTER 5 Physical, Emotional, and Event Rhythms
Three Kinds of Movement
CHAPTER 6 Physical Rhythm
Rechoreographing
Physical Storytelling
Dancing Edits
Singing the Rhythm
Case Study: “Now” Scene from Thursday’s Fictions
Summary
CHAPTER 7 Emotional Rhythm
Prepare, Action, Rest
The Actor’s Actions
Beats
Case Study: The Hours
Summary
CHAPTER 8 Event Rhythm
First Scenes
Dramatic Questions
Structures as Event Patterns
Energy, Pace, and Timing
Creating Structure and Rhythm Simultaneously
Real Events v Fictional Events
Reintegrating Rhythms
Case Study: The Godfather
Case Study: Goodfellas
Summary
CHAPTER 9 Style
Thematic Montage
Continuity Cutting
Points along the Spectrum from Thematic Montage to Continuity Cutting
Collision
Linkage
Points along the Spectrum from Collision to Linkage
Style Case Studies
Contemporary Style: After the New Wave
Summary
CHAPTER 10 Devices
Parallel Action
Parallel Action Case Studies
Slow Motion
Slow Motion Case Studies
Fast Motion
Two Quick Fast Motion Case Studies
Mixed Motions and Speed Ramping
Summary
CHAPTER 11 Collaboration and The Vulcan Mind Meld
The Mind Meld
Decision Making
Responsive Creativity
Power and Hierarchy
CHAPTER 12 Editing Thinking and Onscreen Drafting
Editing Thinking
What is an Onscreen Draft?
Why Draft?
Rapid Prototyping
Embodied Decision Making
Case Study: Woman with an Editing Bench
BIBLIOGRAPHY
INDEX
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Cutting Rhythms
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Cutting Rhythms
Intuitive Film Editing
Second Edition
Karen Pearlman
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