STAGE 5 – PART 1
Getting Noticed
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You have set up your practice on the basis of a solid business plan and you are ready for the launch. You may even already have some work to get the new venture underway. But you will need to find new clients and projects in order to develop the practice and keep it going. Who are they and where are they going to come from?

Marketing

In comparison with many businesses, architects’ clients are a particularly diverse group – they can be practically anyone, any group or any business. You could even be your own client. It can therefore be a difficult group to target, but it is essential to do so if you are going to spend what will be a very limited marketing budget wisely. In establishing your business plan you will have decided to concentrate on certain sectors, and they will be your main focus, but there are also some other basic ways in which you should make yourself known.

In addition to adopting a broad-brush approach, you need to target specific areas that your intelligence gathering has indicated will be likely sources of work. Ensure you have enough information about the sector, or possibly subsector, to make yourself incisive and useful to a client and to show them that you can be of practical help. You are in the business of selling them a problem-solving service; you need to persuade them that the skills you have on offer are a close fit for the ones they believe they need.

Clients will be interested in whether you have or have access to the resources necessary to supply their needs. A good track record may be enough to satisfy them that you can handle their project, but you might also be expected to show that you have a team of staff, consultants and possibly suppliers and contractors readily available to realise their vision. The expectations of clients and the reality of resourcing projects are frequently poles apart, and this can be a significant problem for new and small practices. You may have to find ways of creatively responding to this in order to persuade clients that your modest size practice can deal with their modest size job, even though it is very large and very important in their eyes.

Marketing: the inexpensive basics

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Beware of corporate brochures. These cost large sums of money, date very quickly and are difficult to know what to do with. Most clients will be able to get everything they need to know from your website. You can always produce a postcard to act as a physical reminder or advertisement for your website – it is much cheaper to produce than a brochure.

Websites are critical in the selection of architects by potential clients. As well as being a form of advertising and promotion they are a source of information about the practice: clients and their advisers use websites extensively to vet architectural firms and draw up shortlists. Ensure that your site is not only attractive and easy to navigate, but that it also provides the information that clients might be looking for, and in an easily printable form. The content should be there for the clients – not for you.

Sending out targeted mailshots and cold-calling is always a possibility, but targeting should be fairly precise and any leads need to be rigorously followed up. It is likely that there are better ways to expend your energies pursuing work. The story with regard to advertising is similar – do it for the goodwill and for keeping the practice in the public eye, but do not expect it to show immediate payback in the form of worthwhile work. A three-year time lag between publicity and any resulting paid work is considered an approximate norm. Always put yourself in the shoes of the recipient of your mailshots/calls/advertising and imagine what would convince you to appoint someone you had never heard of before.

Respond to advertisements placed in the architectural press and elsewhere from clients looking for architects. They may not happen very often, but can be very well worth pursuing, particularly if you fit a particular age or geographical requirement and can act immediately. But do not hold your breath for a successful or immediate result, and avoid excessive investment in preparing materials.

All marketing data support the notion that your best customers are the ones you already have – so look after them and ensure that you continue to give them a good service long after their project has been delivered and they have paid their final invoice. Almost all happy clients will return in due course with more business. They are also your best sales force – they can recommend you to a wide range of their contacts and provide useful references and reassurances to future clients. Cherish them.

Publicity materials

To help you in your marketing effort you need evidence that:

  • you are who you say you are
  • you have qualifications, experience and a track record
  • your practice matches clients’ aspirations.

Such evidence will help to provide reassurance to a client that the risk they are considering taking on in appointing your practice is minimal. It can take many forms: from yearly accounts and details of insurance to glossy photos of previous projects and glowing testimonials. You need to have it ready to be assembled into a format that meets the requirements of the moment. The same material, in different forms, will be needed to do many different jobs, from providing copy for magazine articles to filling out complex prequalification questionnaires (PQQs).

The evidence

Evidence of your professional competence and successful track record can take many forms:

  • Presentation drawings and sketches – whether drawn up before or after construction these can become very useful publicity material.
  • Photographs – the opportunity to get good images of your projects is often short lived. Use professional photographers as far as possible; they can be eye-wateringly expensive, but are worth it.
  • Client testimonials – best obtained when the client is most enthusiastic about the service you have provided. They may not have an obvious
  • or immediate use, but once you have them they can be drawn upon whenever appropriate. Also collect positive comments from others, including planners, politicians, funders, users and visitors.
  • Press and online coverage – buildings can attract considerable amounts of media interest, and some coverage can be very usefully reproduced in yours and your clients’ favour. Media appearances may also be useful, although more difficult to reproduce.
  • Awards – there are awards schemes for every conceivable aspect and type of project. Enter awards – they are a very convincing recognition of your practice’s quality and acceptability, and some can provide real kudos.
  • Books – the publishing industry produces huge numbers of books on architecture and interior design, many of which will need illustrations and case studies. Publications vary enormously in quality, but being featured indicates professional standing and will please clients.
  • Exhibition catalogues and directories – more evidence of your standing.
  • Competitions – successes and shortlistings, or possibly succès d’estime – critical appreciation – can only enhance your reputation and may make useful contacts, but take care who you show your more outlandish ideas to.
  • Writings – published articles and papers are all evidence of your credibility, especially if they show in-depth knowledge of a relevant subject area. A book in your own name will take this even further.
  • Research – research developed and published can be very useful evidence of active and informed involvement in an area, especially if immediately appropriate to a particular project. It may also lead to other strands of business activity.
  • Company profile – information on the practice tailored to different audiences and different lengths. It may take the form of sheets that can be bound or distributed with project sheets, staff CVs, etc. Keep the information up to date.
  • Project sheets – sheets giving succinct details of each project carried out by the practice, or by practice members in previous jobs and roles. Project sheets should be branded and have a consistent graphic identity and layout, and may be bound together for a bespoke document, made available on the web, etc. Prepare a new sheet immediately following completion of each project.
  • Staff CVs – an important weapon in your armoury is the experience of the partners, directors and staff, as well as other consultants to the company. Keep these up to date and adaptable to different circumstances.
  • Roles and appointments – in addition to the staff CVs, you may wish to highlight certain skills or appointments within the practice, such as conservation or planning qualifications, academic positions or advisory roles in relation to companies, government or institutions.
  • Project list – a database of past and current projects, cross-referenced to allow you to produce suitably tailored selections of projects.
  • Client list – a record of your past and current clients and the projects you have carried out for them. Ensure that you have each client’s consent before releasing any information about them.
  • Annual accounts – frequently requested in PQQs or credit applications, etc. Maintain in a form that you are happy to release for external scrutiny.
  • Bank reference – also a PQQ requirement. Maintain an up-to-date version.
  • Insurance documentation – most insurance companies supply certificates of insurance for issuing to potential clients, etc. Otherwise, ask your insurer what information they permit you to reveal.
  • Quality assurance – documentation of the practice’s quality assurance procedures and evidence of relevant accreditation, such as RIBA Chartered Practice status or Investors in People.
  • Registration information – information on company, VAT and data protection, etc.
  • Practice policy statements – might include health and safety, equal opportunities or environmental statements.

Overcoming procurement barriers

A constant concern for new practices is how to obtain work from mainstream clients, particularly those in the public sector. New procurement systems, attitudes to risk avoidance and the common requirement to demonstrate extensive prior experience with similar projects all place considerable barriers in the way of winning such work. It may take time and commitment to gain such work, but it is not impossible – even for the very smallest of practices.

Small-scale work

Many public bodies have a requirement for consultants to deal with their very small projects, repairs, refurbishments, etc. It is not glamorous work and may not pay well, but it may allow you to get a foot in the door and gain that valuable experience and client base. Alternatively, it is possible to build up experience by working directly for individual organisations that operate under a local authority umbrella, such as schools and community centres.

Specialist work

If your practice can supply a specialism that is in sufficient demand and without an adequate supply it will give you a way in to obtaining work with a range of otherwise difficult-to-reach clients. Such skills in the past have included: off-site and modern methods of construction, cladding, public consultation and the realisation of public art works and projects.

Approved lists

In order to get work from large or public sector clients it is probable that you will first need to apply and then get onto a pre-vetted preferred suppliers list. Contact local authorities, etc. to discover who maintains such lists and the criteria they apply in selection for them. There will also be a number of other hurdles to overcome:

  • Each local authority requires different information and a different set of prequalification questionnaire (PQQ) forms to be filled in.
  • Some public bodies require that you are pre-registered with and vetted by Constructionline, a register of construction-related contractors and consultants run by Capita for the Department of Business, Innovation & Skills (BIS). There is an annual fee to pay, which is based on turnover (for turnover of up to £250,000 the fee is currently £90 plus VAT). For more details see www.constructionline.co.uk.
  • Note that many public bodies require a professional indemnity insurance level of £5 million. This is far more than many practices carry, and more than is appropriate for the small-scale work that falls below the European Union (EU) value threshold.

Government Online

The UK Government is currently trying to raise the proportion of central government spending going to small and medium-sized enterprises (SMEs), with a 2015 target of 25%. Part of its efforts include publishing details of forthcoming government tenders over £10,000, the ‘pipeline’ on its Contracts Finder website, online.contractsfinder.businesslink.gov.uk. Also see www.government-online.net an earlier government attempt to publicise its contracts that includes contracts also advertised in the Official Journal of the European Union (OJEU). You can register to receive email updates of tender advertisements.

Frameworks supply teams

The next step up from being placed on a list of approved suppliers is to become a framework supplier. This might be beyond the reach of a recently established practice, but a bid in which the practice is part of an integrated supply team of contractors, suppliers and consultants with enough credibility would stand a far greater chance of success.

OJEU notices

Many practices subscribe to the Official Journal of the European Union (OJEU) and respond to advertisements for architects’ services that are placed there for work across the EU. All public projects for services with a lifetime contract value greater than €137,000 (central government bodies) or €211,000 (other public sector) are required to be advertised in the OJEU. However, there is a poor record of small to medium-sized architectural practices winning work from this source. The website www.ojeu.com provides a free daily highlights reporting service on OJEU notices.

Contractors

Approximately 25% of UK construction and around half of public projects are procured directly through building contractors with architects and other consultants acting as second tier subcontractors. There is no procurement process required to obtain work from contractors although architects are often part of contractors’ bidding teams as they participate in the overall process. Develop good contacts with contractors who bid for design and build work both in the public and private sectors.

Advisory work

With the increase in complexity of procurement systems, many clients – especially in the public sector – require client-side advice on feasibility, consultation, procurement and briefing. Such opportunities make it possible to work on large-scale projects without the resource implications of developing designs to detail design stage. However, this work does require a considerable degree of experience and expertise and a good understanding of clients’ procurement needs. The RIBA runs an accreditation system for RIBA Client Advisers; for further details see www.architecture.com. At a different level, Cabe at the Design Council has a network of Built Environment Experts (BEEs). See www.designcouncil.org.uk. Many local authorities and other bodies, including architecture centres, also run design review panels, advertising in the press periodically to renew their membership. Work for Cabe and most panels is paid – even though rates are modest.

Checklist

Stage 5 – Part 1: Getting Noticed

  • Have a marketing strategy and put it into action.
  • Ensure that you have covered the basic and straightforward means that will get you noticed and that allow you to be found by someone not looking overly hard.
  • Put effort into your website.
  • Use social media to build a name and recognition for yourself and your practice.
  • Pay attention to your existing clients and contacts. Looking after them will show far more results than chasing after new and unknown leads.
  • Compile (in advance) the evidence to show potential clients, use for publicity, etc. Maintain it in a standard format that can be quickly assembled for specific uses.
  • Find ways of getting the kind of experience that is called for in your target sectors. Be ingenious and creative if needs be.
  • Get your practice on approved lists, attached to consortia, in supply teams and into frameworks.
  • Respond to advertisements and calling notices looking for architects and architectural services.
  • Sell yourself hard – no one else will.
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