- Cover
- Halftitle
- Title
- Copyright
- Contents
- Preface
- 1. Introducing digital video
- 1.1 Video as data
- 1.2 What is a video signal?
- 1.3 Why binary?
- 1.4 Colour
- 1.5 Why digital?
- 1.6 Some digital video processes outlined
- 1.7 Time compression and expansion
- 1.8 Error correction and concealment
- 1.9 Product codes
- 1.10 Shuffling
- 1.11 Channel coding
- 1.12 Video compression and MPEG
- 1.13 Disk-based recording
- 1.14 Rotary-head digital recorders
- 1.15 DVD and DVHS
- 1.16 Digital television broadcasting
- 1.17 Networks
- 2. Video principles
- 2.1 The eye
- 2.2 Gamma
- 2.3 Scanning
- 2.4 Synchronizing
- 2.5 Bandwidth and definition
- 2.6 Aperture effect
- 2.7 Colour
- 2.8 Colour displays
- 2.9 Colour difference signals
- 2.10 Motion portrayal and dynamic resolution
- 2.11 Progressive or interlaced scan?
- 2.12 Binary codes
- 2.13 Introduction to digital logic
- 2.14 The computer
- 2.15 The processor
- 2.16 Timebase correction
- 2.17 Multiplexing
- 2.18 Statistical multiplexing
- 2.19 Filters and transforms
- 2.20 FIR filters
- 2.21 Sampling-rate conversion
- 2.22 Transforms and duality
- 2.23 The Fourier transform
- 2.24 The discrete cosine transform (DCT)
- 2.25 Modulo-n arithmetic
- 2.26 The Galois field
- 2.27 The phase-locked loop
- 3. Conversion
- 3.1 Introduction to conversion
- 3.2 Sampling and aliasing
- 3.3 Reconstruction
- 3.4 Aperture effect
- 3.5 Two-dimensional sampling
- 3.6 Choice of sampling rate
- 3.7 Jitter
- 3.8 Quantizing
- 3.9 Introduction to dither
- 3.10 Requantizing and digital dither
- 3.11 Basic digital-to-analog conversion
- 3.12 Basic analog-to-digital conversion
- 3.13 Oversampling
- 3.14 Gamma in the digital domain
- 3.15 Colour in the digital domain
- 4. Digital video processing
- 5. Video compression and MPEG
- 5.1 Introduction to compression
- 5.2 What is MPEG?
- 5.3 Spatial and temporal redundancy in MPEG
- 5.4 I and P coding
- 5.5 Bidirectional coding
- 5.6 Spatial compression
- 5.7 A bidirectional coder
- 5.8 Handling interlaced pictures
- 5.9 An MPEG-2 coder
- 5.10 The elementary stream
- 5.11 An MPEG-2 decoder
- 5.12 Coding artifacts
- 5.13 Processing MPEG-2 and concatenation
- 6. Digital coding principles
- 6.1 Introduction
- 6.2 Types of transmission channel
- 6.3 Transmission lines
- 6.4 Types of recording medium
- 6.5 Magnetic recording
- 6.6 Azimuth recording and rotary heads
- 6.7 Optical and magneto-optical disks
- 6.8 Equalization and data separation
- 6.9 Slicing and jitter rejection
- 6.10 Channel coding
- 6.11 Simple codes
- 6.12 Group codes
- 6.13 Randomizing and encryption
- 6.14 Partial response
- 6.15 Synchronizing
- 6.16 Basic error correction
- 6.17 Concealment by interpolation
- 6.18 Parity
- 6.19 Block and convolutional codes
- 6.20 Cyclic codes
- 6.21 Introduction to the Reed-Solomon codes
- 6.22 Correction by erasure
- 6.23 Interleaving
- 6.24 Product codes
- 8. Introduction to the digital VTR
- 8.1 History of DVTRs
- 8.2 The rotary-head tape transport
- 8.3 Digital video cassettes
- 8.4 DVTR block diagram
- 8.5 Operating modes of a DVTR
- 8.6 Confidence replay
- 8.7 Colour framing
- 8.8 Timecode
- 8.9 Picture in shuttle
- 8.10 Digital Betacam
- 8.11 DVC and DVCPRO
- 8.12 The D-9 format
- 8.13 Digital audio in VTRs
- 8.14 AES/EBU compatibility
- 9. Digital communication
- 9.1 Introduction
- 9.2 Production-related interfaces
- 9.3 SDI
- 9.4 SDTI
- 9.5 ASI
- 9.6 AES/EBU
- 9.7 Telephone-based systems
- 9.8 Digital television broadcasting
- 9.9 MPEG packets and time stamps
- 9.10 Program clock reference
- 9.11 Program Specific Information (PSI)
- 9.12 Transport stream multiplexing
- 9.13 Broadcast modulation techniques
- 9.14 OFDM
- 9.15 Error correction in digital television broadcasting
- 9.16 DVB
- 9.17 ATSC
- 9.18 Networks
- 9.19 FireWire
- 9.20 Broadband networks and ATM
- Glossary
- Index
-
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