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by Shannon Slaton
Mixing a Musical
Cover
Halftitle
Title
Copyright
Dedication
Contents
Foreword
Preface
Part I The Career Path
Chapter 1 What Does It Mean to Be a Theatrical Mixer?
Chapter 2 History of Theatrical Sound
Chapter 3 Different Positions in Theatrical Sound
Designer
Associate Designer
Assistant Designer
Production Sound
A1/Head Sound
A2/Deck Sound
Monitor Mixer
Chapter 4 Different Levels of Theatrical Sound
Small-scale and Off-Off Broadway
Regional Theatre and Off-Broadway
Touring Theatre
Broadway Theatre
Hierarchy and Loyalty
Part II The Prep
Chapter 5 Design Team’s Job
Chapter 6 Mixer’s Job
Chapter 7 The Shop
Salesperson
Shop Foreman
Show Key
Shop Etiquette
Chapter 8 Build Schedule
Production Manager or Technical Director
Hire Crew
Break Down System into Tasks
Payroll
Chapter 9 Build Techniques
Paperwork
Labels
Mults
Bundles
Communications
Video
Testing
Packing
Part III The Take-In or Load-In
Chapter 10 Design Team’s Job
Chapter 11 Mixer’s Job
Chapter 12 Unions
Local One
I.A.T.S.E
802
922 and 829
Article 1. Theatrical Wardrobe Union Local 764
Equity
Chapter 13 The Schedule
Part IV Tech
Chapter 14 Design Team’s Job
Chapter 15 Mixer’s Job
Script
VCAs/DCAs/Control Groups
Console Programming
Playback Programming
Chapter 16 A2’s Job (Mic’ing Techniques)
Chapter 17 Mixing the Musical
Epilogue
Index
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