Numbers in bold are illustrations and numbers in italics are for the definitions of terms
35mm SLR cameras 170
A
Action Sampler photography 178, 179
Action Shot 16 camera 179, 180
Adams, Ansel 58, 62, 136, 193, 264
The Tetons and the Snake River 59
Adbusters Media Foundation 111
advertising 6–7, 37, 63, 65–6, 74, 108–11, 135, 139, 141–2, 184, 230, 239–40, 248, 251
airbrush 255
albumen prints/printing 255
Alexander, Daniel
Kim 119
Screaming Heads 213
ambiguity 152
ambrotype 255
anaglyph 255
Apagya, Philip Kwame 39
Araki, Nobuyoshi 158
Arbus, Diane 28, 100, 102, 135, 201, 217, 251
architectural photography 241
archival 255
art directors 108, 231, 239–40, 243, 247, 249
Arthus-Bertrand, Yann 61
ASA 196
assistant, photographer’s 243–4
Atget, Eugène 49
autofocus 255
available light see ambient light
Avedon, Richard 8, 26, 30, 45, 118, 201, 228
Dovima with Elephants 78
In the American West 30
Ronald Fischer, beekeeper, Davis, California, May 9 1981 31
B
back light/back lighting 255
back projection 255
backgrounds, for portraits 30–3, 63, 128
Bailey, David 80, 108, 178, 228
Baker-Wilbraham, Charlotte, Untitled 205
Banksy 225
Barnak, Oscar 85
barn doors 255
batch 255
Battista della Porta, Giovanni 17
Bayard, Hippolyte 41
‘I’ll Write Whenever I Can…’ 44
Beaton, Cecil 30, 77, 107, 155, 228
Broken German Tanks at Sidi Rezegh 98
beauty editors 238
Becher, Bernd and Hilla 105
bellows cameras 22
Black, James Wallace 61
‘bloody news’ 85
blueprint see cyanotypes
Blumenfeld, Erwin 78, 114, 146, 154
Marua Motherwell 148
body, the 66
Bohnchang Koo, In the Beginning #10 134
books of pictures 100
bounced light 29, 188, 217, 220 255
Bourdin, Guy 80
Bourke-White, Margaret 88
The Gallery of Illustrious Americans 37
Brandt, Bill 29, 68, 88, 118, 188, 205–6
Belgravia 189
The Magic Lantern of a Car’s Headlights 221
Brassaï 51
Brazil 91
Breton, André 181
Bridges, Marilyn 61
Britain 37, 68, 80, 88, 91–2, 136, 155, 176, 254
Brook, Will, Pinhole project 132
Brown, Isobel, Les objets de désir 163
Browne, Malcolm 86
Brownie camera 23
Burrows, Larry, Reaching Out 99
Burtynsky, Edward, Nickel Tailings No. 34 62
C
cabinet print 256
cable release 256
cameras 14, 58, 118, 134, 161, 167
choice and types of 118, 142–3, 167–83
digital cameras 7, 12, 22, 140–5, 166–8, 172–4, 196, 203, 208, 210
camera lucida 256
camera phones 140, 167, 172–3, 179, 254
camera shake 256
Cameron, Julia Margaret 136, 191, 204, 255
Sir John Herschel 136
D-Day Landings 96
captions 156
card reader 256
carrier pigeons 85
Carter, Kevin 86
Cartier-Bresson, Henri 45, 88–9, 96, 100, 118, 135, 176, 189, 201, 214
Behind the Gare Saint-Lazare 89
celebrity portraits 37, 70, 236
censorship 99
chemogram 225
‘chrono-photography’ 104
Chung, Ken, and Kim von Coels, Face 221
cibachrome 256
city, photographs of 39, 49–57
Civiale, Aimé 58
Clark, Larry 93
Clerk Maxwell, James 209
close-up lens 190
CND photomontage 115
Cobain, Kurt, portrait (Goodacre) 153
collections 104
Collishaw, Mat 13
colour balance 210
colour cast 256
colour correction 256
colour filters 256
colour negative film 196, 210–12, 256
colour photography 12, 16, 208–12
colour reversal film 256
colour temperature 210, 220, 222, 256
competitions 249
composition 201
compression 257
computers see digital photography; Photoshop
Constantine, Elaine, Girls on Bikes 75
contact sheet/contact print 84, 103, 144, 184, 205, 226, 257
Cooper, Ross, and Jussi Ängeslevä, the ‘Last’
clock 161
copyright 254
cove 257
Cranham, Gerry 73
Croner, Ted, Central Park South 124
Cunningham, Imogen 193
curator 257
cut out 257
D
Dada movement 114
Daguerre, Louis-Jacques-Mandé 19, 21–2, 41
daguerreotypes 19, 21–2, 29, 135, 178, 186, 209, 257
Daley, Eric 205
dance 72
darkroom 257
darkslide 257
Davatz, Barbara, As Time Goes By 161
Davidson, Bruce 90, 93, 102, 169
Davies, Robert, Epiphany 73
Davis, Chalkie 65
Dawson, Derek, A Life in Pictures 9
death, as subject 8, 41, 84, 94
dedicated flash 257
deletion, digital 141
depth of field 29, 138, 166, 193, 197–200, 214, 220, 257
designer/photographers 142
developer 257
Dex Growing (snapshots) 162
Diana camera 178
Díaz, Alberto, (known as Korda), Guerrillero Heroico (Che Guevara) 150, 153
diCorcia, Philip-Lorca, 51, 251
Eddie Anderson: 21 years old: Houston,
Texas; $20 53
Heads 36
Tinseltown 53
Dieuzaide, Jean 34
diffuse 257
digital cameras 7, 12, 22, 141, 166–9, 172–4, 196, 203, 208, 210
digital fog 141
digital grain 203
digital imaging 258
digital photography 7, 12, 50, 140, 142–5, 154, 166, 175, 248
ISO and colour 196, 203–4, 208, 210, 212, 214, 222
black and white 205
news photography 82, 84, 86, 94, 155– 6, 217, 233–4
digital zoom 173
digitize 258
Dijkstra, Rineke 218
Hilton Head Island, S.C., USA, June 24 33
direct positive imaging 258
Disfarmer, Mike 39
disposable (single-use) cameras 181
Dobson, Jamie, Sound project 133
documentary photography 82, 90, 92, 241
Doisneau, Robert 33, 49, 88, 104, 153
Le Baiser de l’Hôtel de Ville 152–3
Dreams of a Tattooed Man 70
Donovan, Terence 80
Drew, Richard, The Falling Man 82, 86
Duffy, Brian 80
dupe 258
DX 258
Dyche, Ernest 39
dye coupler print 258
dye-transfer print 258
dyeline see cyanotypes
E
E6 processing 258
edge reversal 258
Edgerton, Harold 104, 146, 161, 195, 216–17, 219
Milk Drop Coronet 147
editorial photography 231, 239–40
Eisenstaedt, Alfred 87
A Sailor’s Kiss, Times Square 82, 152
Classmates project 128
Ektacolour print 258
emulsion 258
enlargement 258
Ermanox camera 84
Not That Naïve, New York City 105
event photographers 241
exhibitions 136, 230, 232, 248, 251
exposure 21, 24, 166, 170, 194, 196–8, 258
long and multiple 21, 61, 78, 120, 123–4, 128, 139, 161, 176, 178, 194, 200, 218, 221, 224
extension tubes/extension rings 190, 258
eyes, and the camera 14
F
f stop/f number 166, 192, 196, 198, 259
fashion 74–81, 116, 159, 232, 237
Fenton, Roger 94
The Valley of the Shadow of Death 95
fibre-based paper 258
film 12, 14, 85, 140, 166, 168, 178, 196–7, 203–4, 209–12, 220, 258
film cameras 118, 168–70, 173, 176
film cassette 258
film noir 118
films (movies) 97, 118, 131, 149, 176
films, documentary 90
film speed 203–4, 210, 220, 258
fish fryer 258
five-by-four (5x4) view camera 171
fix/fixing 258
flare 258
flash 28, 51, 84, 104, 157, 210, 214–21, 258
flash and blur 218
flash head 258
flash pack 259
flat 259
focal length 173, 188–90, 192–3, 199, 259
focus191 see also autofocus; soft focus
format 259
found photographs 114
The Americans 101
fresnel screen 259
Hill Crest, NY 125
Frissel, Toni 78
front projection 259
FSA project (US) 91
full bleed 259
G
Gameboy camera 180
Gandolficamera 169
Garnett, William 61
Geilhausen, Katrin, Eye (Close-up) 15
gelatin dry-plate process 24
gelatin silver print 259
Georghiou, Nick, Maasai 109
Giant Camera, San Francisco 17
Gilden, Bruce 218
glossy print 259
Goldbeck, Eugene O., Indoctrination Division 40
‘gonzo snapshot’ 159
Goodacre, Martin 153
grade/graded paper 259
Graham, Paul 219
Graphex camera 85
Griffin, Brian, self-portrait 47
Griffith, Phillip Jones 92
group portraits 40
Guest, Peter 204
gum-bichromate 259
Gursky, Andreas, Rhein II 139
Gysin, Brion 113
H
Haas, Ernst 241
The Cross, NYC 48
Halsman, Philippe 34
Hardy, Bert 88
Harries, Steve, and Mel Bles, Locations project 131
Hatakeyama, Naoya 49
‘head shots’ 29
health and safety 259
The Spirit of Geneva 114
Jamaican roots reggae project 129
high contrast 66, 78, 119, 206, 212, 259
high-key photographs 260
highlights 260
Hines, Babbette 181
Hiroshima 98
Hiscock, David 68
Hockney, David 68, 114, 135, 138–9
multiple-image portraits 161
Pearblossom Hwy., 11–18th April 1986 138, 146
Photo Collage Nude, 17th June 1984 68
Hoepker, Thomas, World Heavyweight Champion Muhammad Ali 199
Holga camera 179
‘Hooded Iraqi prisoner in Abu Ghraib jail’ 150
Hoppen, Michael 6
Horst, Horst P. 77
Hou Bo 110
Hoyningen-Huene, George 77
Hunter, Tom 179
Hurrell, George, Jean Harlow 38
I
impact 108
incident light 260
Indrontino, Paula, pinhole images 177
infrared 118, 186, 206, 211, 221–2, 260
inkjet printer 260
installations 163
internet images 99, 118, 229, 249
IR or R 260
iris print 260
ISO 166, 196, 203–4, 214, 220, 260
J
Jackson, Alison 11, 204, 243, 259
Jacobs, Harry 39
Jarecke, Kenneth 99
Jewell, Dick 45, 72, 105–6, 184
A Change of Face 115
Olympic Incident 106
‘Passport Approved Photo Album’ 181
Jones, Peter, and Lynne Dickens, Colourscape sculpture 208
joule 260
K
Karsh, Yousuf 29
Keïta, Seydou 39
Kelvins (K) 210, 220, 222, 260
Kennard, Peter 115
Kertész, André 63, 68, 87, 96, 135
Klein, William 50, 78, 91, 100, 102, 118, 135, 188–90, 218, 224
Close Up 217
Variation on Gun I 50
Knight, Nick 11, 63, 74, 76, 81, 100, 108, 110, 167, 219, 224
Snakes 80
knuckle 260
Kodak cameras 23
Koh, Robin 58
Konttinen, Sirkka-Liisa 51, 53
Korda see Díaz, Alberto
L
L shapes 261
LaChapelle, David 37, 76, 81, 108, 110, 208, 224
‘Giving birth to a shoe’ story 79
Lamda print 260
Land, Edwin 178
Lange, Dorothea 90–1, 149, 151
Migrant Mother 151
Lartigue, Jacques-Henri 6, 28, 106–7, 183, 209, 228
Bichonnade Leaping 107
‘Last’ clock (Cooper and Ängeslevä) 161
Latchley, Alan 118, 156, 169, 202, 240, 244
latent image 260
latitude 260
law, and photography 254
Lazertran 226
Lee, Vincent 11
and aperture 192
lens hood 260
lenticular photography 260
Leonard, Hayley, Nan’s Hands 29
and aperture 196
and shutter speed 218
light box 260
light-sensitivity 12, 166, 168, 196, 203, 210
light waves 222
lighting gels 260
limited editions 252
linen tester (or lupe) 260
liquid photographic emulsion/liquid light 163, 205, 260
lith printing 261
Li Zhensheng 86
Logan, George, Loch Scridain 223
Loher, Natalie, 360º Female Nude 69
Lomo camera 13, 160, 167, 169, 176, 261
London 17, 26, 39, 49, 51, 54, 63, 90, 115, 139, 153, 177, 181, 221, 225, 228, 237
long exposures 123, 161, 176, 194, 218, 221, 224
long focal-length lenses 190
Lubitel camera 179
Lumière brothers 209
lupe (or linen tester) 261
M
Maas, Tina, Untitled 163
Madani, Hashem El 39
magazines 74–6, 87–88, 113, 232, 237–8
magic eye 261
magic lantern 19, 105, 209, 261
Makin Ma,Gazza 163
Mamiya camera 54, 131, 169, 173
manipulation 112–3, 116, 154–5,
Man Ray 63, 68, 137, 146, 225, 252
manual camera 261
Mapplethorpe, Robert 43, 63, 66
Lisa Lyon 67
Marey, Etienne-Jules 104, 135, 146
Mark, Mary Ellen, Twins series 178
marketing 229
Martens, Friedrich von 186
mask 261
Mass Observation project (UK) 91
matt paper 261
McBroom, Bruce 72
McCabe, David 190
McCabe, Eamonn 73
medium formats 170, 173, 178–9, 261
memory card/stick 168, 174, 261
Meny, Patrick,Isolated 164
Metinides, Enrique 85
Michals, Duane, I Build a Pyramid 104
Mili, Gjon 217
Picasso at the Madoura Pottery Workshop 219
Minox camera 176
mixed light 261
modelling light 261
Mole & Thomas 40
Monheim, Fabian 13, 81, 113, 160, 169, 176, 180, 213
mono pod 261
The Seven Year Itch 152
Moon, Sarah 80
moonlight 221
Self-Portrait (Actress), Red Marilyn 43
Morley, Lewis 68
Morse, Ralph 217
Morton, William 72
motordrive 261
movement 103–4, 106, 146, 157, 194–5, 197, 200, 217–8
multiple exposures 78, 123, 128, 178, 217, 224
Munkácsi, Martin 77, 87, 89, 176
Museum of Modern Art, New York (‘New Documents’ exhibition) 28
Muybridge, Eadweard 22, 103–4, 135, 146, 161, 194
The Horse in Motion 103
N
Nagasaki 98
National Portrait Gallery, London 26
natural light see ambient light
colour negative film 211–2, 256
Neshat, Shirin 139
Neto, José Luís 204
Newcastle 53
Newman, Arnold, Georgia O’Keeffe, Ghost Ranch, New Mexico 35
careers in 211, 228–34, 238, 243
war as news 94
Newton, Helmut 45, 72, 80, 219
High-Heel X-Ray and Cartier Bracelet 207
New York 50–2, 84, 86, 93–4, 105, 107, 124, 217
New York Daily Graphic newspaper 83
New York Daily News newspaper 84
Niépce, Joseph Nicéphore 19, 22
night images 124
night-vision cameras 186
Nilsson, Lennart 72
Nixon, Nicholas 161
normal (medium) focal length 189
O
Ojeda, Alejandro, The Hand of God 153
Oktomat camera 179
Onslow, Neil 177
opaline pictures 261
P
Page, Tim 93
panning 261
panoramas 58
Parkinson, Norman, Portrait after Kees Van Dongen 191
Sedlescombe 92
Patterson, Guy, pinhole postcards 176
Penn, Irving 30, 63, 65–6, 78, 80, 110
American Summer Still Life 63
Joe Louis 32
perspective-control lens 261
Petzval, Josef Max 21
photo-booth self-portraits 45, 181
photograph 261
photographer/designers 142
photographic agents 240
photographic studio 224
photogravure 262
photojournalism 82, 87–9, 110, 156, 233–4
photomontage 112, 114–6, 155, 262
Photo Secessionist movement 136
Photoshop 113, 116, 140–2, 144, 148, 223, 262
photo stencil 225
physiogram 262
Picasso, Pablo 61, 113, 135–6, 219
Pictorialists 136
picture editing/editors 201, 232–3
Picture Post (magazine) 87, 88, 97
Pierre et Gilles, Self-Portrait 42, 43
pinhole photography 132, 169, 177, 178, 180
Pippin, Steven 178
pixel 262
plate camera 262
platinum print 262
polarizing filter 262
Polaroid 80, 138, 143, 157, 169, 178–9, 262
Polaroid film back 262
pornography 72
Print Club camera 181
print film 262
printing
colour 212
processing numbers 166
propaganda photojournalism 108, 110, 114, 156
Pulitzer Prize 83, 86, 149, 152, 156
R
Rauschenberg, Robert 137
RAW 175
raw lighting 217
Ray-Jones, Tony 214
reality, and manipulation 112–3, 116
reflected images 125
reformatting 168
resin-coated paper 262
retouching 81, 155, 223, 236, 262
Revell, Giles, Scarab 10
Riis, Jacob 216
How the Other Half Lives 90
Röntgen, Wilhelm 206
Old Glory Goes Up on Mt. Suribachi (‘Raising the Flag in Iwo Jima’) 149, 152
Rowell, Spencer, Man and Baby 71
R-type print 262
S
Sabatier effect see solarization
safelight 262
Salgado, Sebastião 91
Samaras, Lucas 178
Sawada, Tomoko 45
scan 243
Schadograph see photogram
‘scoop’ pictures 84
settings 166, 194, 196, 203–4, 208, 210, 214, 220
shadows 121
Untitled Film Stills 41
short focal length 188
‘shutter lag’ 173
Sidibé, Malick 39
single-use cameras 181
slave 263
slides 263
slide shows 105
SLR cameras 170
Smith, Chris 73
Smith, W. Eugene 99
Smithee, Alison 240
Snap camera 180
snapshots 157–60, 158, 160, 263
snoot 263
fashion photography 122
still lifes of bags 65
soft focus 263
soft-focus lenses 263
Southall, Doug 183
sport 73, 153, 217, 232, 234–6
spot meter 263
standardization 166
standard lens 189
Stanton, Hannah, and Vanessa Marisak, Photographic behaviour project 130
The Teds 90
stencils 225
stereoscopic cameras/photographs 14, 183, 183, 263
Steiglitz, Alfred 136
stills photographers 241
stock libraries 142, 241, 249–50
stop bath 263
photojournalism 87
Strand, Paul 36
strobe/stroboscopic light 216, 263
student work
Heroic self-portraits 46
Classmates project 128
Sightings of Che 150
Sketchbook of photogram experiments 225
studio lighting 30, 214, 221, 224
Sugimoto, Hiroshi 37, 61, 146, 202
Cabot Street Cinema, Massachusetts 16
Sundsbø, Sølve 81
Super Sampler camera 179
swimming-pool light 263
SX70 camera 178
synchroballistic photography 263
sync lead 263
syndication 250
‘New Documents’ exhibition 28
T
tabloids 84
Talbot, William Henry Fox 22, 225
Latticed Window at Laycock Abbey 20
The Pencil of Nature 100
Talbotype see Calotype
Tamano, Tetsuya,Untitled 112
Burning Jacket 77
Testino, Mario 37
test strip 263
Thain, Alastair 169
Richard Long 27
thermal-imaging 186
three-dimensional works 163
TIFF 175
Tillmans, Wolfgang 81, 208, 251
If One Thing Matters Everything Matters 157
Tinseltown 53
tintype 263
tones 263
toning 263
Tooth, Roger 155
tripod 263
trust 154
U
umbrella 264
under-exposure 196
universal settings 166
‘Girl Fleeing Napalm Strike’ 86
V
variable focal length 190
viewpoints 122
vignette 264
Vivex colours 209
Vogue magazine 66, 77–8, 159, 167, 190, 231
Voigtländer, Peter von 21
von Coels, Kim, and Ken Chung, Face 221
W
Walker, Brendan, The Thrill-Sensing Auto-Portrait Machine 164
Warhol, Andy 30, 44–5, 104, 137, 152, 157, 178, 181, 190
Figsbury Ring and A303 and Tumuli, Salisbury Plain 60
websites 140, 142, 168, 230, 244, 248, 250
The Critic (Opening Night at the Opera) 52
Crowd at Coney Island, Temperature 89
Degrees 200
Lovers at the Palace Theatre 206
Weisz, Minnie, Norfolk Suite Camera Obscura 18
Weston, Brett 61
Weston, Edward 61, 65–6, 136, 193
wet-collodion/wet-plate process 22, 264
white balance 264
wide-angle lenses 68, 73, 78, 188, 190, 199
Wilson-Pajic, Nancy, Les Apparitions: Felicia 226
Winogrand, Garry 28, 73, 110, 152, 217
Los Angeles, California 202
wire photos 85
work, as a photographer 228–49
X
Xerox see photocopiers
Y
Yamanaka, Manabu, Gyahtei 66
Yass, Catherine, Descent 139
Yosemite National Park 58
Z
zone system 264
zoom, digital 173