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by Peter Ward
Studio and Outside Broadcast Camerawork
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Table of Contents
ACKNOWLEDGEMENTS
INTRODUCTION
STUDIO AND OUTSIDE BROADCAST CAMERAWORK
INVISIBLE TECHNIQUE
TELEVISION TECHNIQUE
TECHNOLOGY
THE TELEVISION SIGNAL
COLOUR TEMPERATURE
OPERATIONAL ASPECTS OF THE CAMERA
FULL FACILITY CAMERA
THE ZOOM LENS (1)
THE ZOOM LENS (2)
THE ZOOM LENS (3)
CAMERA MOUNTINGS
THE STUDIO FLOOR
CONTROL ROOMS
OUTSIDE BROADCAST FACILITIES
PRODUCTION METHODS
CONTROL ROOM STAFF
STUDIO FLOOR STAFF
THE PLANNING PROCESS
CAMERA COVERAGE FORMATS
RIGGING AND SAFETY
SAFETY
RIGGING A STUDIO
FLOOR MONITORS
SLUNG MONITORS
RIGGING CAMERAS
DE-RIGGING A CAMERA
BALANCING A LIGHTWEIGHT HEAD
OUTSIDE BROADCAST RIGGING
WORKING AMONG THE PUBLIC
WORKING AT HEIGHT
ADVERSE WEATHER
OUTSIDE BROADCAST HAZARDS
BASIC SKILLS
CABLES AND MONITORS (1)
CABLES AND MONITORS (2)
CAMERA REHEARSAL
REHEARSE/RECORD
TRACKING
OPERATING A CAMERA FOR THE FIRST TIME
OPERATIONAL SKILLS
PEDESTAL DESIGN
PRE-REHEARSAL CHECKLIST
PEDESTAL TECHNIQUE (1)
PEDESTAL TECHNIQUE (2)
PEDESTAL TECHNIQUE (3)
REPOSITIONING THE PED
TRACKING ON A PEDESTAL
CRABBING
CRANING
FOCUS
ZOOM FOCUS
PANNING AND TILTING
ZOOMING
PIVOT POINTS
PICTURE MAKING SKILLS
PICTURE MAKING
POSITIONING THE LENS
STRUCTURAL SKELETON OF A SHOT
PERSPECTIVE OF MASS
PERSPECTIVE OF LINE
CAMERA DISTANCE
CAMERA MOVEMENT
INVISIBLE MOVEMENT
CAMERA MOVEMENT – PANNING
STATIC AND MOVING OBJECTS
CONTAINING MOVEMENT
THE DEVELOPMENT SHOT
TRACKING AND ZOOMING
WIDE ANGLE/NARROW ANGLE
INTERNAL SPACE
SPACE AND ATMOSPHERE
TRACKING LINES
CAMERA HEIGHT
CAMERA POSITION AND LIGHTING
INTERCUTTING
CHANGE OF SHOT
INVISIBLE CUTS
INTERCUTTING
CROSS-SHOOTING
INTERVIEW/DISCUSSION
WORKING IN A CREW
WORKING IN A CAMERA CREW
THE VIEWFINDER
WORKING WITH TALKBACK
NEW TO TALKBACK
VISUAL MEMORY/CAMERA CARDS
CAMERA CARD NOTES
WORKING TO CUE LIGHTS
CUE LIGHT CONTROL
WORKING ON A CRANE
REMOTE CONTROL
SAFETY AND CRANE WORK
ASSESSING A SHOT
ATTITUDE AND RESPONSIBILITY
PROFESSIONAL CONDUCT
TRANSMISSION AND RECORDING
MULTI-CAMERA PRODUCTIONS
TRANSMISSION AND RECORDING (1)
TRANSMISSION AND RECORDING (2)
OUTSIDE BROADCAST PREPARATION
AS-DIRECTED
AS-DIRECTED REHEARSAL
AS-DIRECTED TRANSMISSION
IT’S A WRAP
COMPOSITION
COMPOSITION
PERCEPTION
VISUAL DESIGN
READING AN IMAGE
GROUPING AND ORGANIZATION
THE EDGE OF THE FRAME
FRAMES WITHIN FRAMES
CLOSED AND OPEN FRAMES
ASPECT RATIO
TRANSITIONAL PERIOD
WHY CONVERSION IS NEEDED
WIDESCREEN COMPOSITION
RATIO AND PROPORTION
LINES AND CURVES
BALANCE
DISSONANCE
DIVIDED INTEREST
NATURAL PERSPECTIVE
HARMONY AND CONTRAST
LIGHT
COLOUR
MONOCHROME VIEWFINDERS
WORKING AT SPEED
COMPOSITING
COMPOSITING
TWO- AND THREE-DIMENSIONAL BACKGROUNDS
CAMERA HEIGHT AND CHROMA KEY
MATCHING FOREGROUND TO BACKGROUND
CAMERA MOVEMENT ON BLUE SCREEN
FURTHER READING
GLOSSARY
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studio and outside broadcast camerawork
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