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by Monika Andrae, Chris Marquardt
The Film Photography Handbook
Cover
Title
Copyright
Contents
Hello and welcome to The Film Photography Handbook!
Preface
1 Why Film Photography?
1.1 Enjoying the Process
1.2 Too Many Options Make You Unhappy
2 Analog or Digital?
2.1 Film Grain
2.2 Arrangement
2.3 Sharpness
2.4 Area
2.5 Contrast Range
2.6 Angle of Light
2.7 The Bayer Pattern
2.8 Banding
2.9 White Balance vs. Film Type
2.10 Further Processing
3 Cameras and Film Formats
3.1 35mm
3.1.1 The Film
3.1.2 Rangefinder
3.1.3 Single Lens Reflex Camera
3.2 Medium Format: 6×6, 6×7, and 6×9
3.2.1 Film Types
3.2.2 Image Formats
3.2.3 Camera Types
3.3 Large Format: 4×5”
3.3.1 Large Format Cameras
3.3.2 Film and Film Holders
3.3.3 Camera Movement
3.4 Tips on Buying a Camera
3.4.1 Light Seals
3.4.2 Shutters
3.4.3 Lenses
4 Exposure
4.1 Stops
4.2 F-Numbers
4.3 Light Metering
4.3.1 Reflective Metering
4.3.2 Incident Metering
4.4 Without Light Meter
4.4.1 Sunny 16
4.5 With Light Meter
4.5.1 Handheld Light Meter
4.5.2 Smartphone
4.5.3 Digicam & Gray Card
4.5.4 Professional Light Meter
4.6 Light Metering with the Zone System
5 Film
5.1 Black-and-White Film
5.1.1 From Color to Black-and-White
5.1.2 Orthochromatic Film
5.1.3 Panchromatic Film
5.1.4 Infrared (IR) Film
5.1.5 Infrared (IR) Film with Aura Effect
5.1.6 Color Filters
5.2 Color Film
5.2.1 Color Negative Film
5.2.2 Slide Film
5.2.3 Other Types of Film
5.3 Instant Film
5.4 ISO—The Film Speed
6 In the Laboratory
6.1 Industrial Laboratory
6.2 Professional Laboratory
6.3 Processing Yourself: Black-and-White
6.3.1 Overview: Negative Processing
6.3.2 Chemicals
6.3.3 Hardware
6.3.4 General Procedure for Film Processing
6.3.5 Troubleshooting
6.3.6 Digital Helpers
6.3.7 Community
6.3.8 Push and Pull
6.4 Processing Yourself: Color
6.4.1 The Press Kit
6.4.2 Temperatures
6.4.3 Useful Accessories
7 Post-Processing
7.1 Traditional
7.2 Hybrid Analog/Digital
7.2.1 Scanner Types
7.2.2 Scanner Parameters
7.2.3 Scanning Software
7.2.4 Scanner Profiling
7.2.5 Accessories
7.2.6 The Scanning Process
7.3 Digital Printing
7.3.1 Having Photos Printed: By a Discounter
7.3.2 Having Photos Printed: At a Professional Lab
7.3.3 Printing Photos Yourself
7.3.4 High-End Ink Jet Prints
7.3.5 Profiling
7.3.6 Printing Workflow
7.4 Historical Processes
7.4.1 Cyanotype
7.4.2 Albumen Print
8 Presentation
8.1 Mats
8.1.1 It’s All About the Right Size
8.2 Frames
8.3 Mounting Techniques
8.3.1 Matting
8.3.2 Mounting
9 Storage and Archiving
9.1 General Considerations
9.2 Storing Negatives
9.3 Prints
9.4 A Tidy House, A Tidy Mind
10 Fun with “Planned Accidents”
10.1 Cameras and Optics
10.1.1 The Box Camera
10.1.2 Diana, Holga, and Other Toy Cameras
10.1.3 The Pinhole Camera
10.1.4 The Subjektiv
10.1.5 Zone Plate
10.1.6 Lensbaby
10.2 Expired Film
10.2.1 Experimenting is Fun
10.2.2 Film Speed and Light Conditions
10.2.3 The Special Joys of Cross Processing
10.2.4 A Residual Risk Always Remains
10.2.5 Treated Film
10.3 Double and Multiple Exposure
Appendix
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