table of contents

introduction

chapter 1
design dynamics

design a preference test

play with design

another design game

visual tension

visual energy

visual weight

dynamics of the frame

why the ONE RULE OF COMPOSITION works

chapter 2
making things interesting

dividing the boundaries of your painting

interesting boundary divisions

dividing the space between objects

varied spacing adds interest

creating interesting shapes

interesting shapes in common objects

interesting shapes: applied

creating interesting groupings

chapter 3
achieving dynamic balance

the importance of balance

static versus dynamic balance

balancing visual weight and energy

chapter 4
pleasing the eye

path of the eye

compositional “magnets”

center of interest

focal point

placing the focal point

exploring the four “sweet spots”

lines, leads and pointers

blocks and exits

attract, entertain and retain the viewer

chapter 5
tonal value and contrast

the importance of value contrast

vary your values for interest

seeing your subject as a pattern of values

basic value patterns

lead the viewer’s eye to your focal point

use values to enhance mood

turn the ordinary into the extraordinary

gradation of value creates interest

harmony within value contrast

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chapter 6
color

characteristics of color

the color wheel

color dominance

temperature dominance

intensity dominance

value dominance

color contrast at the focal point

chapter 7
still lifes

selecting your still life subjects

arranging a still life

dynamic balance

simplicity

making compositional choices

choosing textures

choosing varied intervals

chapter 8
landscapes

make use of photographs

an alphabet of landscape composition

basic value patterns for landscapes

perspective

color in landscapes

chapter 9
figures and portraits

placing the head

placing the head and upper body

placing the figure

plan a path for the eye

establish a mood

creating a dynamic figure

the figure as an interesting shape

cropping the figure

cropping a portrait

value patterns

group portraits

multiple figures

figure interaction

conclusion

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