Canon® Speedlite System Digital Field Guide, 3rd Edition

Table of Contents

Quick Tour

Getting Up and Running Quickly

Taking Your First Photos with the Speedlite

Chapter 1: Exploring the Canon Speedlite System

Features of the Canon Speedlite System

600EX/600EX-RT

600EX/600EX-RT specifications and features

Main components

Function buttons, dedicated buttons, and Select dial

600EX/600EX-RT accessories

580EX II

580EX II specifications and features

Main components

Control buttons and Select dial

580EX II accessories

430EX II

430EX II specifications and features

Main components

Control buttons

430EX II accessories

Other Components of the Speedlite System

270EX

270EX II

320EX

OC-E3 Off-Camera Shoe Cord

Speedlite transmitter ST-E3-RT

ST-E2 wireless transmitter

Macro Twin Lite MT-24EX

Macro Ring Lite MR-14EX

Chapter 2: Setting Up Your Speedlites

Power Requirements

Non-rechargeable

Rechargeable

Flash Modes

E-TTL II

E-TTL

Manual

Multi-stroboscopic flash

Zoom position

Auto Zoom Adjustment for APS-C Sensors

Adjusting Flash Exposure Compensation

600EX/600EX-RT

580EX II

430EX II

AF-Assist Beam

600EX/600EX-RT

580EX II

430EX II

LCD Panel Illumination

Custom Functions

Setting Custom Functions on the flash

Setting Custom Functions via the camera

Auto Off mode

Chapter 3: Flash Photography Basics

Studio Strobes or Speedlites?

Color Temperature and White Balance

What is Kelvin temperature?

Choosing the white balance

White balance presets

Balancing for the ambient light

Using Bounce Flash

Why and when to use bounce flash

Camera and Speedlite settings

Explaining Flash Exposure and Specifications

Guide number

Aperture

Distance

Guide number ÷ Distance = Aperture

Sync speed

Second-curtain sync

Fill flash

Chapter 4: Using Your Flash Off Your Camera

How the Speedlite System Works Wirelessly with Your Camera

Overview of Wireless Flash Setup with the Canon Speedlite System

Step 1: Choose a flash mode

Step 2: Choose a wireless mode

Step 3: Choose a channel

Step 4: Set up groups or slave IDs

Step 5: Adjust the flash ratio levels

Setting Up Master and Slave Flashes

Masters

Slaves

Setting Up a Wireless Manual Flash

600EX/600EX-RT in Manual mode

580EX II in Manual mode

Setting slaves for manual flash

Using Wireless Multi-Stroboscopic Flash

Setting Up Channels and Groups or Slave IDs

Channels

Groups

600EX/600EX-RT

580EX II

430EX II

Setting Flash Exposure Compensation

Setting FEC with the 600EX/600EX-RT set to Master

Setting FEC with the 580EX II set to Master

Setting FEC slave flashes

Testing and Modeling Flash from a Slave Unit

Remote Release from a Slave Unit

Linked Shooting with Radio Transmission

Using Your Speedlites with Radio Triggers

Using your Speedlites with PocketWizards

Using your Speedlites with RadioPoppers

Chapter 5: Setting Up a Wireless Studio

Introduction to the Portable Studio

Cables, Cords, and Triggers

Extra-long E-TTL cords

Custom cables

Cable releases

Tethered shooting

Radio triggers

White Balance and Filters

White balance and the ExpoDisc

Neutral density filters for wider apertures

Light Modifiers

Reflectors

Gels

Grids and snoots

Diffusers, small flags, and bounce cards

Umbrellas

Softboxes

Beauty dishes

Ring flash

Specialty brackets

Backgrounds and Background Stands

Seamless paper backdrops

Collapsible backdrops

Muslin backdrops

Canvas backdrops

Contemporary backdrops

Backdrop stands

Motorized backdrop support systems

Space Considerations

Setting up for indoor shoots

Setting up for outdoor shoots

Traveling with Your Wireless Studio

Camera cases and bags

Portable light stands

Chapter 6: Lighting Concepts and Patterns

Concepts of Lighting

Studio lighting

Portrait lighting types

Mood and drama

Lighting patterns

Using Speedlites for Outdoor Locations

The preflight

Remembering light theory

Setting power output

Modifiers and Their Qualities of Light

One Light, Two Lights, Three Lights!

One light

Two lights

Three lights

Appendix A: Posing Basics

Positioning the body

Positioning the hands and arms

Paying attention to the details

Traditional posing

Editorial posing

Glamour style

Appendix B: Rules of Composition

Silhouettes

Limiting focus

Appendix C: Resources

Appendix D: How to Use the Gray Card and Color Checker

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