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Photoshop, Syntax, and Semantics

Woodland Pixie

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J. Thomas Bullington

Frosty

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Leslie D. Stroebel

Add Something
Subtract Something
Crop the Image
Flip the Image
Mirror Image
Tilt the Image
Distort the Image
Exercises

Add Something: By adding something to a photograph or subtracting something from a photograph, the syntax is altered and therefore the meaning (semantics) changes. The photographer took this casual snapshot of his daughter and granddaughter. It was a cold wintry day, as can be seen by the way the subjects are clothed, the snow in the rock crevices, and the blank sky. Later, upon looking at the photograph, he saw the white space between his daughter and the large rock as a potential snowman. By adding a few black spots for a face, it emerges from the background and becomes part of the subject. The grand daughter was full of joy over the photograph and proudly showed it to many of her classmates. The simple addition of some strategically placed black dots altered the syntax and gave the photograph an extended meaning.

It is only when the figure has emerged from the ground and developed into a contoured whole that attachment of meaning, naming, and consequent changes in what is perceived can occur.

N.F. Dixon

Tiger

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David A. Page

Subtract Something: This image was the result of many hours of cloning in Adobe Photoshop. When photographed, this cat was completely behind a fence. The option to bring the camera lens up to the fence and shoot through an opening was prohibited in this case, but has worked well in the past. Careful cloning away part of the fence produced an unexpected illusion of the cat’s head falsely appearing to be peeking through and in front of the fence. Some of the whiskers on the left side deliberately give away the illusion, to the most observant, as they are both in front of and behind the fence.

It’s equally hard and labor-intensive to create an image on the computer as is in a darkroom. Believe me!

Jerry Uelsmann

Rio de Janeiro

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The giant statue Christ the Redeemer atop Corcovado Mountain in Rio is a familiar and famous landmark. It overlooks the city and ocean and is firmly anchored to a platform. By removing some of the upper part of the platform, a space is created between the platform and the statue, making it appear as if the figure was suspended in air or ascending.

The high vantage point from which the photograph was taken reflects the intent of the installation where the Redeemer overlooks and protects the city and its people. It also gives a feeling of the massive size of the statue. Just to the lower right of the statue is a small area of mountain fog.

Myths and creeds are heroic struggles to comprehend the truth in the world.

Ansel Adams

College Football

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Richard D. Zakia

Crop the Image: The photograph at the top of a college football practice game gives the appearance of a large crowd in attendance. The bottom photo is a truer picture.

Joey and Luke

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Richard D. Zakia

The main subject and focal point in this lower photograph are the two boys, as they stand in front of a pond looking at the camera. The upper photograph, however, calls more attention to the two brothers and less to the surroundings by cropping a little off the side of the photograph and some off the top.

Vodaphone

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Vicki H. Wilson

Flip the Image: The bottom photograph is the original image. Because it is of a reflection, the letters are reversed, as expected. By flipping it horizontally, the viewer is presented with a contradiction. The letters are now not reversed, as is the racecar, but everything falsely appears normal.

Killing Time

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David A. Page

While traveling together in Ireland, one photographer saw this tree and began photographing it. The second photographer, while waiting, also decided to photograph it from a different angle. If the first photographer had not recognized that the tree was worth photographing, and if the second had not decided to kill time while waiting, the image on the right side would never have happened.

Irish Tree of Many Faces

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David A. Page

Mirror Image: Because the tree was asymmetrical, the second photographer chose to photograph only the right side of the tree, with a plan to later duplicate the image, flip it, and match the two parts in order to create his own imagined tree. Although this was done using digital technology, the same technique has been used many times using film and dark-room skills. Where the two sides of the tree met, one face was immediately apparent and many more subtle faces emerged.

The Irish Tree of Many Faces title was chosen to challenge viewers to look for more than the most obvious face. The title also pays homage to the widely believed Irish folklore of the “little people” that inhabit special trees in Ireland.

Formula One Champion Lewis Hamilton at Indy

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David A. Page

Tilt the Image: Using Photoshop to tilt the image, as seen here, creates an illusion of greater speed. Tilting can be done in camera, but doing it after capture allows for more flexibility and experimentation.

Car Show Quilt

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Vicki H. Wilson

Distort the Image: After-capture software provides the photographer a variety of options for manipulating images in order to change the mood of the original photograph. Enjoy the process of creating something new from an existing good composition.

EXERCISES

Looking

1.  The artist Marcel Duchamp in 1919 added a mustache and goatee to the Mona Lisa. The caption, L.H.O.O.Q., is a coded and playful one. Its meaning can be found in Robert Hughes’s book Shock of the New.

2.  Alterations to photography can be traced all the way back to its beginnings. All software such as Photoshop has done is to make it much easier and tempting. In 1924, Man Ray photographed the back of his favorite model Kiki and later added clef marks to suggest a shape of a viola in Le Violin de Ingres. In 1980, an ad for Christian Dumas chemises appeared in Italian Vogue, which was a play on Man Ray’s photo. Use the Internet to compare Man Ray’s photo and the one in the ad. Note the differences. What significant changes do you find?

3.  Luncheon of the Boating Party. In this picture of Renoir’s famous painting, an uninvited guest with a goatee beard joined the party. He was added, but not by using Photoshop. We are looking at an actual photograph that has not been manipulated. The photograph is of a sculptured rendition of Renoir’s painting by J. Seward Johnson, Jr. It was on view at the Corcoran museum in Washington, DC. Attendees were invited by the curator to become part of the sculpture. Many took advantage of this rare opportunity and added themselves to a number of different sculptures on display. The photograph is by David Page.

4.  The body of the man holding the frame has been removed (subtracted). That part of the building blocked by his body was then added to the frame. This was not done using any digital software but rather with a manual cut-and-paste method. Ideas are not technology-dependent.

Photo 1. Mona Lisa.

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Photo 2. Christian Dumas ad.

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Photo 3. Luncheon of the Boating Party.

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Photo 4. Framed.

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Leslie Stroebel.

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