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Appendix B: Notes-to-frequencies chart
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Appendix B: Notes-to-frequencies chart
by Roey Izhaki
Mixing Audio, 3rd Edition
Cover
Title
Copyright
Contents
Symbols used
Introduction
Part I: Concepts and practices
1 Music and mixing
Music: an extremely short introduction
The role and importance of the mix
The perfect mix
2 Some axioms and other gems
Louder is better
Percussives weigh less
Importance
Natural vs. artificial
3 Learning to mix
What makes a great mixing engineer?
The ability to work fast
Methods of learning
Mixing analysis
Reference tracks
4 The process of mixing
Mixing and the production chain
The mix as a composite
Where to start
Deadlocks
The raw tracks factor
Milestones
Finalizing and stabilizing the mix
5 Related issues
How long does it take?
Breaks
Using solos
Mono listening
Housekeeping
Mix edits
Mastering
6 Mixing and the brain
Dual process theory
The power of the unconscious
Intuition
Thinking without thinking
Emotions
Change
Creativity
7 Mixing domains and objectives
Mixing objectives
Definition
Interest
Frequency domain
Level domain
Stereo domain
Depth
Part II: Tools
8 Monitoring
How did we get here?
Choosing monitors
The room factor
Positioning monitors
Headphone mixing
9 Meters
Amplitude vs. level
Mechanical and bar meters
Peak meters
Average meters
Phase meters
10 Mixing consoles
Buses
Processors vs. effects
Basic signal flow
The importance of signal flow diagrams
Groups
In-line consoles
The monitor section
Correct gain structure
The digital console
11 Software mixers
Tracks and mixer strips
Routing
The internal architecture
12 Phase
What is phase?
Problems
Tricks
13 Faders
Types
Scales
Working with faders
14 Panning
How stereo works
Pan controls
Types of track
Panning techniques
Beyond pan pots
15 Equalizers
Applications
The frequency spectrum
Types and controls
Graphic equalizers
In practice
Equalizing various instruments
16 Introduction to dynamic range processors
Dynamic range
Dynamics
Dynamic range processors in a nutshell
17 Compressors
The course of history
The sound of compressors
Principle of operation and core controls
Additional controls
Controls in practice
Applications
Tricks
More on compressors
18 Limiters
19 Gates
Controls
Applications
In practice
Tricks
20 Expanders
Controls
In practice
Upward expanders
21 Duckers
Operation and controls
Applications
22 Delays
Delay basics
Types
In practice
Applications
23 Other modulation tools
Vibrato
ADT
Flanging
Phasing
Tremolo
24 Reverbs
What is reverb?
Applications
Types
Reverb programs
Reverb properties and parameters
Early reflections (ERs)
Reverbs and stereo
Other reverb types
Reverbs in practice
25 Distortion
Background
Distortion basics
Ways to generate distortion
26 Drum triggering
Methods of drum triggering
27 Other tools
MS
Pitch shifters and harmonizers
Exciters and enhancers
Transient designers
28 Automation
Automation engines
The automation process
Automation alternatives
Control surfaces
Part III: Sample mixes
29 “Show Me” (rock ’n’ roll)
Drums
Bass
Rhythm guitar
Lead guitar
Vocal
30 “It’s Temps Pt. II” (hip-hop/urban/grime)
Beat
Bass
Other tracks
Vocals
31 “Donna Pomini” (techno)
Ambiance reverb
Beat
Sound FX
Bass
Vocal
Other elements
32 “The Hustle” (DnB)
Ambiance reverb
Drums
Motif elements
Pads
Horns and brass
Risers
Strings
33 “Hero” (rock)
Drums
Bass
Rhythm guitar
Lead guitar
Vocals
Appendix A: The science of bouncing
Appendix B: Notes-to-frequencies chart
Appendix C: Delay time chart
Index
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Prev
Previous Chapter
Appendix A: The science of bouncing
Next
Next Chapter
Appendix C: Delay time chart
Appendix B
Notes-to-frequencies chart
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