Illustrations
1-2 Diagram of prominences and depressions in the human skull
1-3 Head of a man in late middle age
1-5 Clay Sculpture for prosthetic age makeup
2-2 Modeling curved and angular surfaces
5-1 Character makeups on the same actor
5-3 Actor in character makeup showing the influence of environment on physical appearance
5-4 Age makeup on Kenneth Branagh
5-5 Character in eyes and eyebrows
6-1 Costume designer renderings used as character sketches
6-2 Pencil drawing of the wicked stepsister in Cinderella
6-3 Portrait of Albert Einstein
6-4 Drawing and sketching materials
6-5 Making a character drawing from a photograph
6-6 Pencil drawings by Esther Marquis for Scrooge
6-7 Scrooge by actor James Black
6-10 Makeup worksheet for King Pellinore
6-11 Makeup chart for Norma Desmond
6-12 Makeup for King Pellinore
7-4 Student and professional makeup kits
7-5 Makeup laboratory at the California State University at Long Beach
7-7 Makeup artist Dick Smith in his workshop
7-9 Corner of a makeup artist’s studio
8-1 Professional makeup brushes
8-2 Face painting for theatrical performance
8-3 Body painting for competition
8-4 Body painting for commercial advertising
8-5 Opera makeup application techniques
8-8 Concealer and neutralizers
8-9 Applying a temporary tattoo
8-10 Temporary airbrush tattoo
8-11 Rubber-mask grease palette by Graftobian
8-12 Applying rubber-mask greasepaint
8-13 Makeup being applied with an airbrush
9-6 Lash curling and mascara application
9-9 Applying cheek color with a large rouge brush
10-1 Stippling with a black stipple sponge
11-1 Highlighting and shadow for age
11-3 Modeling the face with highlights and shadows
11-4 Division of the face into areas
11-7 Highlighting the forehead
11-9 Modeling forehead wrinkles with paint
11-11 Highlighting and shadowing forehead wrinkles
11-12 Blending forehead-wrinkle highlights with a cotton swab
11-13 Changing the eye with makeup
11-14 Division of the orbital area into planes
11-15 Modeling for the orbital area
11-18 Modeling a deep eye pouch
11-20 Eyes of an elderly Chinese Man
11-22 Manipulating the natural eyebrow
11-24 Partially blocking out eyebrows
11-25 Making plastic film for covering eyebrows
11-26 Blocking out eyebrow with plastic film
11-29 Remodeling the nose with paint
11-30 Placement of highlights and shadows for crooked noses
11-34 Highlighting the cheekbone
11-35 Cheeks and nasolabial folds
11-36 Cheeks and nasolabial folds
11-37 Placement of highlights and shadows for age
11-38 Modeling a nasolabial fold
11-40 Highlighting crease in cheek
11-45 Planes of the upper and lower jaws
11-50 Highlighting the chin and the mouth area
11-52 Muscles of the neck and jaw
11-53 Neck aged with cake makeup
11-57 Three-dimensional and painted character makeup
11-58 Length and roundness in the face
11-60 Changing the shape of the face
11-62 Five character makeups on the same actor
12-2 Modeling the nose with putty
12-5 Building up the nose with derma wax over cotton
12-7 Hand aged with latex over makeup
12-8 Hands aged with old age stipple
12-9 Face aged with old age stipple
12-10 Makeup with latex and tissue
12-11 Skin texture with latex, cotton, and spirit gum
12-12 Hand aged with latex, cotton, and spirit gum
12-13 Hand aged with different techniques
12-14 Skin texture and wrinkles
12-15 Skin texture and wrinkles
12-17 Diagram of Asian eyelid made with adhesive tape
12-18 Asian eyelid made with adhesive tape
12-20 Making a mole with gelatin and alfalfa seeds
12-21 Scars, cuts, moles, and warts
12-24 Plastic scars, welts, and growths
13-4 Modeling nose and sagging eyelids in clay on a plaster cast
13-5 Modeling one-eyed witch’s nose on plaster
13-8 Actor Kristoffer Tabori in the final scene of Shaw’s St. Joan
13-9 Molded latex forehead piece
13-10 Wig attached over bald cap
13-11 Glatzan plastic bald cap material
13-15 Making a plaster cast of Dustin Hoffman’s head and shoulders
13-16 Plaster model of Dustin Hoffman’s head
13-17 Makeup artist Dick Smith making clay model for front half of the latex prosthetic
13-19 Modeling back of head on a plaster section of Dustin’s head
13-20 Making molds of clay models of bags, chin, and nose
13-21 Making special epoxy mold of clay model
13-22 Finishing outer surface of the mold
13-24 White hair being implanted in back section of latex mask
13-25 Painting “liver spots” on part of the latex mask
13-27 Attaching foam latex eyelid
13-29 Chin and lower lip being attached
13-31 Attaching large latex piece for cheeks and neck
13-32 Applying shoulder hump and hands
13-33 Hands with latex gloves and fingernails
13-35 Final touch-up of foam latex makeup
13-36 Dustin Hoffman as the 120-year-old man in Little Big Man
13-37 Making a nose with polyurethane foam
13-39 Acrylic powder and liquid for making false teeth
13-41 Making a new cast without undercuts
13-42 Sculpting the wraparound appliance
13-43 Developing a mold for the prosthetic appliance
13-44 Making the gelatin appliance
13-45 Materials used for applying the gelatin appliance
13-46 Application of the gelatin appliance
13-47 Mold release chart for tin condensation cure silicones
13-48 891 Silicone Medical Adhesive Type A
13-50 Adding silicone to the mold
13-52 Extrinsic painting of the gelatin appliance
13-53 Finished silicone appliance
14-1 Straightening crepe hair with a steam iron
14-2 Diagram for applying crepe hair beard
14-4 Constructing a beard with crepe hair and spirit gum
14-5 Crepe hair beard and mustache
14-6 Mustache on a plastic head
14-11 Ventilating a mustache onto net or gauze
14-14 Beard block with ventilated beard
14-15 Ventilating a mustache on a canvas wig block
14-16 Closeup of various holders and a ventilating needle
14-17 Using the drawing card for ventilating
14-18 Correct handling of hair when ventilating
14-19 Making a pattern for a beard and mustache
15-1 Matthew Smith as Mangus in the opera The Knott Garden
15-2 The Pirate King in the operetta The Pirates of Penzance
15-3 Coloring products and tools
15-4 Graying products and tools
15-5 Wigmaster sews in numbers
15-7 Examples of wigmaking laces
15-8 Wig measurement information sheet
15-10 Standard rollerset for wigs
15-11 Netting added to the front of a store-bought wig
15-12 Inside of a purchased wig
15-13 Preparation for fronting a wig
15-15 Attaching wig lace to the front of a wig
15-16 Ventilating with a wig clamp
15-17 Tools for putting on a wig
15-18 Preparing the actor’s hair before putting on a wig
16-1 Creating a likeness in a makeup workshop
16-2 Makeup artist Rick Geyer creates the likeness of Queen Elizabeth I on model Amanda Elliott
16-3 Actor Hal Holbrook as himself
16-4 Hal Holbrook as Mark Twain
16-5 Making up as Mark Twain for the stage
16-6 Television makeup for Hal Holbrook’s Mark Twain
16-7 Pencil sketches of Peter Falk as himself and as Josef Stalin
16-9 Pencil sketches of Alvin Epstein as himself and as Trotsky
16-10 The Mad Hatter from Alice in Wonderland
16-11 Makeup for the Mad Hatter
17-1 Kryolan’s micro Foundation
17-2 Mehron’s Celebré Professional Creme Makeup
17-6 Lipsticks by M.A.C. (Makeup Art Cosmetics)
18-2 Vilma Silva as China and Thom Rivera as Alejandro in El Paso Blue
18-3 Undertones and color palettes for darker skin
18-4 Natural makeup application on dark skin
18-5 Old age makeup applied on model Charmine Walker
19-1 Joe York as Frank N. Furter
19-2 Goblins for A Midsummer Night’s Dream
19-3 The Red Queen from Through the Looking Glass
19-5 Makeup in the style of painter Karl Schmidt-Rottluff
19-6 Makeup copied from an Oriental mask
19-7 Thirteenth-century mosaic head
19-8 The duchess from Alice in Wonderland
19-10 Bruno. Stylized dog makeup
19-17 Sixteenth-century devil’s head
19-23 Three witches, a devil, and a demon
Appendices
A-5 MagiColor Face and Body Paint
A-9 Dermacolor Palette and Camouflage System from Kryolan
A-10 Kryolan’s Eye-Brow Plastic
A-11 Ben Nye’s loose face powder
A-12 Art Anthony’s Flesh Putty
A-14 Yak hair wig and beard by Joe Rossi
A-15 Temporary hair color sprays from Kryolan
A-16 Matrix mold with keys by Robert Phillips
A-18 Pigmented liquid latex from Graftobian
A-19 Latex cap placed on an actor’s head
A-21 Ben Nye’s Lumiere Creme Wheel
A-22 Ben Nye’s Color Cake Foundation Kit
A-25 Ready-made mustaches and sidewhiskers
A-26 PAX paint and PAX medium components
A-27 Makeup sealers and skin barriers
A-28 Mastix spirit gum and remover
A-29 Tattoo Cover Ring from Mehron
A-30 Temporary Tattoos by Temptu
E-3 Late nineteenth-century lady
F-12 Seventeenth-century women
F-44 Twentieth-century men and women
G-2 Vanessa Williams in the Broadway musical Kiss of the Spiderwoman
G-3 Chita Rivera in the Broadway musical Chicago
G-4 Susan Emerson as Norma Desmond
G-5 Makeup Lesson by Kate Best on actress Julia Sweeney
G-6 Life casting with 2-part silicone, Dermasil
G-7 Christien Tinsley biography and prosthetic transfer process
G-8 The steps for applying a Tinsley transfer
G-9 Gary Christensen, Makeup Artist
G-10 Paul Hadobas, Makeup Artist
G-11 Gel colors on corrective makeup
G-13 Queen Elizabeth I Makeup by Rick Geyer
G-14 “Faded Feline” Makeup Designed by Paul Hadobas
G-15 “Uncle Jinxy” Makeup Designed by Paul Hadobas
G-16 “Puck” Makeup Designed by Rick Geyer
G-27 Synthetic wig for Beau Bridges
G-28 Gelatin prosthetic age makeup for Sissy Spacek
G-29 Prosthetic makeup on actor Colm Feore
G-30 Foam latex prosthetic makeup
G-31 Non-realistic makeup. Two lizards from the play Seascape