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by Richard Harrington
Photoshop for Video, 3rd Edition
Cover
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Title
Copyright
Contents
Dedication
Foreword
Introduction: The Gift of Giving
About the Author
Getting Started
How to Use This Book
Iconography
Disc Access
Installation
Mac Versus PC
The Future
For Instructors
Chapter 1. Make it Happen
Reality Check
Suggested Hardware
Setting Up Photoshop
Choosing Keyboard Shortcuts
Video’s Unique Requirements
A Few Basics
Chapter 2. Pixels: Time For Tech
Pixel by Any Other Name
Display Resolution
Image Resolution
Understanding Bit Depth
Computer and Video Issues
Luminance and Saturation
Working with Document Presets
Advice When Scanning
Working with Digital Cameras
Resizing Commands
Resizing an Existing Image
Final Advice
Chapter 3. Why Layers?
What Are Layers?
How Layers Work: Understanding Composite Images
Storing Alternate Designs with Layer Comps
Working with Smart Objects
Blending Modes
Export Issues with Layers
Blending Mode Shortcuts
Chapter 4. What about Transparency?
Essential Terminology
Understanding Bit-Depth
Selecting and Extracting Images
The Easy Ways
Refining Basic Selections
Refine Edge Command
Extract Filter
Layer Masking
Color Range
Important Keyboard Commands for Selections
Complex Selections with the Quick Mask Mode
Masking versus Erasing
Saving Selections as Paths
Converting Channels into Masks
Advice on Selections
Creating Perfect Alpha Channels
Chapter 5. Some Words on Words, Logos, and Symbols
Vector Type
Using the Character Palette
Using the Paragraph Palette
Working with Type Color
Testing and Improving Readability
Special Typographic Effects
Free Transform Command
Warped Text
Text on a Path
Video Type Details
Creating Lower Thirds
Prepping a Logo for Animation
Design Ideas
Those Other Programs
Exporting Apple Keynote Slides
Sending Photoshop Text to After Effects
EPS and Illustrator Files
In the Know
Chapter 6. Layer Styles: Bevels, Shadows, Glows, and More!
What are Layer Styles?
Designing with Layer Styles
Loading Prebuilt Styles
Building Your Own Styles
The Power of Contour Settings
Gradients and Textures
Creating Duotones and Sepia Tones with Layer Styles
Importing Layer Styles into an NLE
Importing Layer Styles into After Effects
Final Advice when Working with Layer Styles
Chapter 7. A Sense of History
Configuring History States
Accessing History States
Performing Multiple Undos
Using Snapshots
Linear versus Nonlinear Mode
Using the Edit History Log
What are Those Weird Brushes?
Chapter 8. Filters
Filters Defined
Before Running a Filter
General Advice about Filters
Understanding Filter Interfaces
Using the Filter Gallery
Defining the Area to be Affected by a Filter
Fading and Blending Filters
The Guide to Standard Filters
Third-Party Filters
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PHOTOSHOP
FOR VIDEO
Richard Harrington
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