Action. See Lines (of action); Movement and action
Age, depicting, 54–57, 76–77, 110
facial, 96
torso, 26–29, 80, 124. See also Faces;
Heads; Muscles; Skeleton and bones
Angles, 19
and faces and heads, 48, 67, 72, 115
and noses, 69
Artistic license, 90, 120, 139
Babies. See Children (babies)
Background
and children in action, 87
importance of, 107
and placement of figures, 21
and portraits and faces, 18, 23, 52, 60, 107, 135
Blending
and clothing, 82
and skin, 102
and smudging, 13
and values, 123
and white charcoal, 9
Blocking in, 21, 38, 45, 48, 51, 52, 53, 54, 55, 58, 68, 70, 73, 76, 79, 81, 90, 99, 101, 102, 103, 104, 107, 108, 110, 111, 113, 114, 116, 118, 120, 122, 130, 132, 134, 137, 138
Body proportions, 78–79, 125, 136
Bones. See Skeleton and bones
Breasts, 28
Charcoal, 8, 9, 52, 53, 58, 63, 89
Children, 14
at beach, 21
faces and heads of, 22, 23, 58, 74–75, 112–113, 114–115, 116–117, 118–119
limbs of toddlers, 136
portraying features of, 114–115
Chins, 59
and children, 112, 115, 116, 117
and elderly people, 56, 77, 110
and ethnicity, 122
and head and facial proportions, 66, 98
and planes of face, 97
in profile, 45, 46–47, 99, 104, 105
Clothing, 82, 85, 90, 91, 111, 115, 122, 123, 128, 131, 132, 133, 134, 135, 138, 139
Conté crayon, 9
Depth
and color of paper, 8
and eyes, 68
and foreshortening, 83, 90, 91, 129
and hair, 108
and light and shadows, 133
and perspective, 16
and values, 10
Dimension, 10. See also Three dimensions
Drama, creating, 106, 107, 130
Drawing elements, 10
Ears, 41, 55, 66, 73, 88, 98, 99, 104, 105, 110, 112, 114, 115, 116, 122, 134
Easels, 8
Erasers, 8, 9, 73, 89, 100, 101, 103, 105, 109, 110, 115, 117, 121, 123, 133, 134, 135
Eyes
brows of, 46, 47, 52, 53, 56, 57, 68, 100, 104, 105, 106, 110, 112, 113, 114, 115, 116, 117, 120, 121, 122
and children, 74, 112, 113, 114, 115, 116, 117, 118, 119
and elderly people, 54, 55, 76, 77, 110
frontal view of, 50, 51, 68, 100
and head and facial proportions, 66, 88, 98, 99, 136
and line of sight, 20
as most important facial feature, 68
and portraits, 18, 88, 89, 102, 103, 106, 107
in profile, 44, 45, 46, 47, 68, 88, 100, 104, 105
and smiles, 71
in three-quarter view, 99
twinkle in, 133
varying qualities of, 100
Faces, 43–63
anatomy of, 96
children, 22, 23, 58, 112–113, 114–115, 116–117, 118–119
and emotions and expressions, 23, 40, 52, 53, 54, 55, 56, 68, 71, 86, 96, 100, 117, 134
and features, 22, 23, 41, 44, 48, 50–51, 54, 55, 60, 62, 66, 68–71, 88, 89, 98, 99, 100–101, 102, 112
male, 62–63
mature, 76–77
planes of, 45, 50, 67, 70, 72, 73, 77, 89, 97, 122, 133
in profile, 23, 44, 45, 46–47, 56–57, 60–61, 67, 72, 88, 99, 104–105, 107, 113
three-quarter view of, 48–49, 52–53, 73, 88, 99, 113, 134, 135. See also Chins; Ears; Eyes; Heads; Lips; Mouths;
Noses; Portraiture; Proportion (and faces); Smiles
Fair features, 120–121
Figures, placing in a composition, 20–21
Fingers. See Anatomy (hands)
Foreground, 21
Foreshortening, 59, 83, 90–91, 99, 103,
Forms, 10
Foster, Walter T., 43
Freckles, 121
Giacometti, 13
Goldman, Ken, 25
Goldman, Stephanie, 25
Gradating, 11
Guidelines. See Lines (guide)
blocking in, 48
braids, 109
and children, 112, 113, 114, 115, 116, 117, 119
developing, 108–109
and elderly people, 56, 57, 110
facial, 52, 53, 105, 111, 132, 133
fine, 120
and highlights, 59, 73, 102, 103, 105, 106, 109
line, 73, 98, 99, 104, 112, 113, 122
and portraits, 88, 89, 102, 103, 106, 107, 134, 135
shiny black, 59
and strokes, 50, 51, 52, 53, 102, 103, 105, 106, 107, 108, 109, 111, 114, 115, 122, 133, 134, 139
Hands. See Anatomy (hands)
Hatching, 11, 55, 107, 120, 131
Heads
and body proportions, 78, 79, 125, 136
children, 22, 23, 58, 74–75, 112–113, 114–115, 116–117, 118–119, 136
and composition, 18
and perspective, 17
positions and angles of, 67, 72, 75, 98
in profile, 23, 45–47, 56–57, 60–61, 67, 72, 88, 96, 99, 104–105, 113
and skull, 38–40
three-quarter view of, 48–49, 52–53, 73, 88, 99, 106, 113, 138. See also Faces;
Portraiture; Proportion (and heads)
Highlights
and ears, 101
and eyes, 44, 52, 68, 89, 97, 100, 114, 116, 117, 133
and faces, 57, 58, 71, 97, 103, 139
and feet, 127
and forms, 139
and hair, 59, 73, 102, 103, 105, 106, 109
and hands, 126
and lips, 47, 70, 71, 101, 105, 117, 121, 123
and mouths, 117
and skin, 131
and three dimensions, 10
and value scale, 10
Lifting out, 13
Light
back, 106
and highlights, shading, and shadows, 10, 40, 88, 97, 105, 106, 123, 126, 127, 133
and life drawing, 103
and planes of face, 97
and portraiture, 88, 103, 106, 118
strong natural, 131
Lighting, 8, 106, 118, 130–131
Lines
of action, 15, 84, 86, 87, 92, 128, 137
center, 18, 22, 45, 79, 84, 98, 99, 112, 113, 114, 138
and contour drawing, 14
experiments with, by great artists, 13
guide, 18, 20, 22, 23, 44, 45, 47, 48, 49, 50, 51, 52, 53, 54, 55, 57, 58, 59, 67, 70, 73, 76, 82, 85, 98, 99, 102, 104, 107, 111, 112, 113, 114, 116, 132, 134, 138
indented, 13
looping, 13
and pencil point, 12
practicing different types of, 12
short and sweeping, 13
of sight, 20
and writing hand position, 11
zigzagging, 19
Lips
and children, 114, 115, 116, 117, 119
and dark skin, 122
and fair features, 121
and head and facial proportions, 66, 98
and portraits, 88
in profile, 44, 45, 47, 99, 104, 105
and smiles, 71
three-quarter view, 49
Men
body proportions of, 125
elderly, 56–57
faces of, 62–63
three-quarter view of, 52–53
Middle ground, 21
Mood
and background, 107
and composition, 19
and elderly woman, 55
and eyes, 68
and facial features, 100
and strokes, 13
and children, 112, 113, 114, 115, 116, 117, 119
and elderly people, 54, 55, 110
and ethnicity, 122
and portraiture, 88, 89, 102, 103, 106, 107
in profile, 44, 45, 46–47, 99, 104. See also Lips; Smiles
Movement and action, 86, 92–93, 128
and balance, 84
and bending, twisting, and stretching, 85, 128
Muscles, 26–37, 39, 40, 80, 96, 124, 125, 126, 127
Noses
and children, 112, 113, 114, 115, 116, 117
and elderly people, 55, 57, 110
and eyes, 100
and facial proportions, 98
and head proportions, 66
make-up of, 41
and planes of face, 97
and portraits, 88, 102, 103, 106, 107
in profile, 45, 46–47, 72, 99, 104, 105
in three-quarter view, 48, 73, 99
types of, 101
Pencils
sharpening, 9
techniques with, 11–13
types, 9
Perspective, 16–17, 18, 20, 83, 90, 92
Photos
and poses, 138
use of, 14, 21, 22, 44, 46, 52, 59, 78, 79, 89, 90, 102, 106, 107, 120, 131, 134
Portraiture
and background, 107
beginning, 22–23
bridal, 134–135
and capturing likeness to subject, 102
and choosing photos, 118
and composition, 18
developing, 88–89
and life drawing, 103
and lighting, 106
and planes of head, 40. See also Faces;
Heads
Poses, choosing, 138–139
Powell, William F., 65
Profile. See Faces (in profile); Heads (in profile)
Proportion
and faces, 44, 45, 46, 47, 48, 50, 51, 52, 54, 57, 58, 59, 62, 88, 98, 99, 102, 104, 112–113, 114
and heads, 66, 73, 74–75, 98, 99
and life drawing, 132
and lips, 70
and movement, 86
and multiple figures, 20
and portraits, 22, 23, 102, 103, 134
and profiles, 104
and torso, 29
Realism, 8, 68, 71, 82, 84, 96, 109, 139
Rubbing, 13
Seeing, 14–15
Seurat, 13
Shading
and background, 107
and body contours, 80
and bones, 66
and children, 74, 75, 114, 115, 116, 117
and chins, 116
and clothing, 82, 85, 132, 133, 134
and ears, 69, 101, 105, 114, 116
and eyes, 68, 88, 100, 102, 105, 107, 110, 114, 116
and faces, 47, 48, 50, 51, 52, 53, 54, 55, 56, 57, 58, 60, 62, 63, 67, 72, 73, 76, 88, 89, 97, 106, 110, 114, 115, 116, 117, 119, 120, 122, 123, 133, 139
and fixative, 9
forms, 139
and hair, 106, 108, 109, 110, 111, 119, 134, 135, 139
and lighting, 130
and lips, 70, 88, 101, 105, 114, 116, 117, 119, 122
and mouths, 101, 102, 110, 116
and movement, 137
and noses, 69, 88, 101, 105, 110, 122
and planes, 97
and portraits, 23, 88, 89, 102, 103, 134, 135
and skin and wrinkles, 56, 63, 131, 134
and smudging, 13
techniques, 11–13
and thinning hair, 56
and three dimensions, 8
and underhand position, 11, 12
Shadows
cast, 10, 58, 97, 111, 131, 133
and feet, 127
and foreshortening, 91
and hands, 126
and heads, faces, and portraits, 22, 40, 88, 89, 97, 100, 103, 106, 114
and three dimensions, 10
Shapes, 8
basic, 10
and child’s body proportions, 79
Skeletal structure, basic, 80, 124, 125
Skeleton and bones, 26–38, 41, 66, 77, 80, 96, 124, 125, 126, 127
Sketching
and base of figure drawing, 29
and pads, 8
Skin, 54, 56, 58, 74, 77, 89, 96, 102, 103, 110, 111, 131, 134, 136
dark, 122–123
and values, 123. See also Wrinkles
Skulls. See Anatomy (head and skull);
Skeleton and bones
Smudging, 13
Stippling, 13
Strokes
and background, 52
diagonal, 56, 82, 107, 131, 135
and eyes, 100
and hair, 50, 51, 52, 53, 102, 103, 105, 106, 107, 108, 109, 111, 114, 115, 122, 133, 134, 139 and hand position, 11
hatching, 11, 55, 107, 120, 131
and lines, 12
and lips, 47
and mood, 13
and shading, 11, 12, 13, 54, 58, 106, 134, 135
and smudging, 13
and tools, 9
Teeth, 70, 71, 101, 102, 118, 119, 122
Texture
and clothing, 115
and paper, 8
and shading, 11
and types of lines, 12
Three dimensions, 8, 10, 16, 73, 81, 90, 99, 100, 111, 124, 129
Tone, 12
Tools and materials, 8–9. See also specific
tools and materials
Tortillons, 8, 9, 10, 11, 13, 46, 110, 117, 133, 135
Values
and background, 107
dramatic contrasts in, 131
and fair features, 120
and form, 10
and hair, 102, 103, 105, 107, 108, 109, 110, 111, 120
and lighting, 106
and lips, 47
and noses, 101
scale of, 10
and skin, 123
variations and gradations in, 10, 89, 139
and wrinkles, 110
Van Gogh, 13
Vanishing points, 16, 17, 18, 20
Washes, 13
Women
body proportions of, 125
elderly, 54–55
facial profiles of, 46–47
frontal view of, 50–51
three-quarter view of, 48–49
Work station, 8
Wrinkles, 54, 55, 56, 63, 72, 76, 77, 100, 133, 136
keys to drawing, 110
Yaun, Debra Kauffman, 95