Active Listening—Concept pioneered by psychologists Carl R. Rogers and Richard E. Farson that puts forward the idea that listening is not a passive activity but requires energy and effort
Amplification—The technique of spotlighting the ideas or contributions of others in a meeting
Articulation—The formation of clear and distinct sounds in speech
Attention Span—The length of time a person can devote to an activity before their mind wanders
Benefit—Something advantageous or positive that an audience will achieve or receive as a result of hearing your message
Body Language—Nonverbal communication such as gestures, postures, and facial expressions that help support a person's intention
Civil Inattention—The process whereby strangers who are in close proximity demonstrate that they are aware of one another, without imposing on each other
Climax—The highest point of tension in a story; the major turning point in the plot
Close-ended Question—A question that can be answered with a simple yes or no answer, or with one specific piece of information
Cognitive Nervousness—Anxiety relating to or involving thinking, reasoning, or remembering
Communication—The process of sending and receiving messages with attached meaning
Confirmation Bias—A tendency to search for, interpret, favor, and recall information in a way that confirms one's preexisting beliefs
Congruence—The state when all aspects of voice and body language perfectly support a communicator's intention
Convergent Questions (closed-ended questions)—Questions that can be answered with a simple yes or no or a specific bit of information
Core Breathing—The low belly breath used by actors and singers for maximum support; also called diaphragmatic breathing
Critical Inner Voice—Any negative thoughts or insecurities that can distract or cause anxiousness in a speaker
Developmental Change—Organizational changes you make to improve current business procedures
Diffusion of Responsibility—The idea that a person is less likely to take responsibility for action or inaction when others are present
Distress—Negative stress; threat stress that causes strain, anxiety, or suffering
Divergent Questions (open-ended questions)—Exploratory questions that can have more than one possible answer and are designed to elicit expanded thinking
Dopamine—A neurotransmitter that helps control the brain's reward and pleasure centers
Empathy—The ability to understand and share the feelings of another
Empathic Attunement—The ability to comprehend the momentary psychological state of another person
Employee Engagement—The emotional commitment an employee has to the organization and its goals
Engagement—A connection with an audience that finds them in a willing state of attentiveness during your communication
Eustress—Positive stress; challenge stress that is healthy or provides fulfillment
Exposition—The basic information (who, what, when, where) an audience needs to know to be able to follow a story
Exposure Effect—The idea that the more you are exposed to an experience, the easier and less daunting it becomes
Falling Action—The short series of events in a story immediately following the climax and just before the final resolution is reached
Flow—A state of total immersion and focus, a concept first coined by Mihaly Csikszentmihalyi
Gesture—Any movement of the hand, arm, body, head, or face that communicates a specific idea, opinion, or emotion
Glossophobia—Greek term for stage fright or speech anxiety
Gravitas—The serious, dignified manner we associate with strong leaders
Ground Rules—Guidelines for individual and team behavior
Halo Effect—A cognitive bias in which the overall impression you create with another person then influences how they feel and think about your character and abilities.
Home Base Position—The relaxed, open body position that serves as a communicator's physical neutral when not moving or gesturing
Illusion of Transparency—Phenomenon whereby individuals often believe their internal states are more apparent to others than is actually the case
Imposter Syndrome—An inability to internalize accomplishments and a persistent fear of being exposed as a fraud despite possessing accomplishments and achievements to the contrary
Impromptu Speaking—A delivery mode where someone is called upon to speak without preparation or notes
Inciting Incident—The event in a story that serves as a trigger to set the initial events or action in motion
Incongruence—The state of someone's delivery where mixed messages are being communicated, a result of an intention not being properly supported
Inflection—The specific pitch in the voice (up or down) used at the end of a word or phrase
Intention—An aim that guides action, informing all aspects of a person's physical and vocal delivery
Intention Cues—Any aspect of a person's vocal or physical communication that conveys meaning to an audience or listener
Isopraxism—The idea that an audience will mirror back whatever emotion or behavior a speaker projects; see also mirror theory
Jargon—Words or expressions that are used by a particular profession or group and are difficult for others to understand
Listening—The process of receiving, constructing meaning from, and responding to spoken and/or nonverbal messages
Meeting Assets—Action items, consensus, or decisions made as a result of a meeting occurring
Micro Expressions—The involuntary facial movements and physical tics that occur without our even being aware of them
Mirror Theory—The idea that people pick up on whatever emotion or intention a speaker projects and both feel and project back that emotion; see also isopraxism
Monotone—A succession of sounds or words that is unchanging in pitch
Motivating Language Theory—Idea that an inspiring speech can have a direct, positive effect on critical employee outcomes associated with motivation
Mutuality—The sharing of a feeling, action, or relationship
Nonverbal Communication—Any aspects of communication—aside from the actual words spoken—that send messages or convey meaning to a listener
Norm of Reciprocity—Expectation that people will respond favorably to one another by returning benefits for benefits, and responding with either indifference or hostility to slights or harms.
Objective—A goal you hope to accomplish with your communication
Open-ended Question—A question that cannot be answered with a single word or a yes or no and requires more information or detail
Oxytocin—A chemical that encourages empathy in the receiver of the story
Pace—The rate, based on words per minute spoken, at which a person speaks
Pacifier—Any nervous behavior or activity displayed by a speaker that communicates discomfort or nervousness
Parkinson's Law—Adage that says work will always expand to fill the time available for its completion
Pattern Interrupt—Any action or behavior that breaks a pattern in an effort to maintain the attention of an audience
Personal Brand—The way you project yourself to the world and, consequently, how you are seen by others
Personal Branding Statement—A one- to two-sentence statement answering what you are best at, who you serve, and how you do it uniquely
Phatic Communication—Communication that has a social function, such as to start a conversation, greet someone, or say goodbye
Physiological Pause—A silence during your communication that requires you to stop speaking so you can take a breath or take sip of water
Pitch—The highness or lowness in the voice determined by the rate of vibration in the vocal cords
Posture—The position of a person's body when standing or sitting
Psychological Pause—A silence during your communication used to evoke or provoke an emotional response from your audience
Resolution—The final element of a story where all loose ends are tied up and any outstanding questions are answered
Resonation—The prolongation and intensification of sound produced by transmission of its vibrations in the various body cavities (chest, mouth, nasal cavity, skull, throat)
Rhetorical Questions—Questions that are asked to make a point rather than elicit an answer.
Rising Action—The events in a story that follow the inciting incident and build to the climax
Social Awareness—The ability to pick up on the emotions and intentions of others with whom we interact
Social Loafing—An idea that posits that the larger the meeting, the less accountable meeting attendees will feel toward making contributions of ideas or efforts
Spatiality—The way in which a speaker uses space, movement, and distance when communicating a message to others
Spotlight Effect—Phenomenon in which people tend to believe they are being noticed more than they really are
Street Intimacy—Fleeting connections with strangers, usually in public settings
Transformational Change—A shift in the business culture of an organization resulting from a change in the underlying strategy or processes that the organization has used in the past
Transitional Change—A shift in the way a process within an organization is completed, designed to increase efficiency
Treadmill Verb—An intention that lacks the ability to influence emotion or motivate action
Verbal Virus—Verbal fillers (such as ah, um, or I mean) that show up in speech and communicate uncertainty to an audience or listener
Vocal Dynamics—The ways in which you use the various qualities of the voice (pitch, tone, resonation, inflection, articulation, volume, and pace)
Vocal Variety—Effective variation of vocal qualities achieved through combining and varying pitch, tone, resonation, inflection