While I managed to photograph or screen capture some of the imagery in this book, the rest was generously provided by fellow RED enthusiasts, companies, and individuals. We corresponded through e-mail, phone, fax, Skype, Facebook, Flickr, Twitter—you name it. I’ve attempted to credit each source below according to figure number, along with any related Web sites so you can check out more of their work. Thanks again. You all helped made this book look great.
COVER
The front cover features a Zacuto custom RED rig provided by Steve Weiss (www.zacuto.com) and was codesigned as a favor by my good friend Aaron Lea at Pixascope (www.pixascope.com).
INTRODUCTION
Page x Remioromen music video, Paul Leeming, (www.visceralpsyche.com)
Page xx As The Dust Settles, Mike Hedge, (www.asthedustsettles.com)
Figure 1.1 RED NAB 2006 Booth, Graeme Nattress, (www.nattress.com)
Figures 1.3, 1.7 Crossing the Line, Milk Girls footage, Jarred Land, (www.red.com)
Figures 1.4, 1.6, 1.8 Prototypes, RED NAB 2007 booth, Robert Rex Jackson, (www.flickr.com/photos/r_jackson)
2. OVERVIEW OF THE RED WORKFLOW
Figure 2.3 SI-2K camera, Ari Presler, (www.siliconimaging.com)
Figure 2.4 RED Camera report, Fotokem, (www.fotokem.com/nextlab)
Figure 2.5 HD Monitor Pro, Ben Aein, (www.hdmonitorpro.com)
POV Interview, page 29 Rodney Charters, ASC, photo by Michael Klick, (www.rodneycharters.com)
POV Interview, page 31 Pyongyang, North Korea, Rodney Charters, ASC, (www.rodneycharters.com)
Page 32 As The Dust Settles, Mike Hedge, (www.asthedustsettles.com)
Figure 3.2 Documentary footage, Jay A. Kelley, (www.mammothhd.com)
Figure 3.4 Music video, Dean Georgopoulos, (www.redone4rent.com)
Figure 3.5 Food footage, Leo Ticheli, (www.ltpro.com)
Figure 3.6 Short film, Paul Leeming, (www.visceralpsyche.com)
Figure 3.7 Saturation footage, Ric Forster, (www.lolseries.com)
Figure 3.8 Resolution diagram, Ben Cain, (www.hd-cinema.blogspot.com)
Figure 3.9 Sensor chart, Jon Farhat, (www.jfi.net)
Figure 3.10 ARRI lenses, Mike Hedge, (www.mikehedge.com)
Figure 3.11 Frame guide footage, Leo Ticheli, (www.ltpro.com)
POV Interview Albert Hughes, Courtesy Greg Longstreet, (www.polarispr.com)
Figure 4.5 Lens flare footage, Leo Ticheli, (www.ltpro.com)
Figure 4.6 Lens vignette footage, Scott Matthews, USAF
Figure 4.7 16mm lens, Arturo Jacoby, (www.loscoltrahues.com)
Figure 4.9 Birger Engineering mount (www.birger.com)
Figure 4.10 Long Valley Nikon mount, Douglas Underdahl, (www.longvalleyequip.com)
Figure 4.13 Sunset IR shot, Paul Kalbach, (www.PaulKalbach.com)
Figure 4.14, 4.20, 4.22 Schneider filter, Petrol case, and O’Connor tripod, Susan Lewis, Lewis Communications
Figure 4.16 Polarized footage, Mónica Reina, (www.simplemente.net)
Figure 4.18 Keson tape measure, Jude Nosek, (www.keson.com)
Figure 4.19 Preston FI+Z, Howard Preston, (www.prestoncinema.com)
Figure 4.24 Element Technica hardware, Chris Burkett, (www.elementtechnica.com)
Figure 4.25 RED monitor on set, Shawn Booth, (vimeo.com/channels/shawnbooth)
POV Interview Mark Pederson, (www.offhollywoodny.com)
Page 88 Kyosuke Himuro concert, Paul Leeming, (www.visceralpsyche.com)
Figures 5.1, 5.2 Nagra gear, John Owens, (www.nagra.com)
Figures 5.3, 5.4 Shure gear, Davida Rochman, (www.shure.com)
Figure 5.5 Sennheiser, Stephanie Schmidt, (www.sennheiser.com)
Figure 5.6 Sony MDR headphones, Jim Barraud, (www.jimbarraud.com)
Figure 5.7 Field recordist, Victoria Lahti, (www.victorialahti.com)
Figure 5.8 Rycote, Simon Davies, (www.rycote.com)
Figure 5.9 Aaton Cantar, Martine Bianco, (www.aaton.com)
Figures 5.13, 5.14 Denecke slate, Kim Parra, (www.denecke.com)
Figure 5.16 Production Sound Report, Angelica Dewlow, (www.locationsound.com)
POV Interview Dean Georgopoulos, photo by Noah Kadner, (www.callboxlive.com)
Figure 6.4 Greenscreen rain footage, Obin Olson, (www.dv3productions.com)
Figures 6.6, 6.7 Color temperature footage, Keith Brown, (www.flickr.com/people/keithdbrown)
Figure 6.9 Waveform monitor, Alex Vizbird, (www.compuvideo.com)
Figure 6.16 Football footage, Simplemente, (www.simplemente.net)
Figure 6.10 ChromaDuMonde color chart, Michael Wiegand, (www.dsclabs.com)
Figure 6.21 Restaurant footage, Leo Ticheli, (www.ltpro.com)
POV Interview Arthur Albert, ER © Warner Bros. Entertainment Inc. All Rights Reserved.
Figures 7.3, 7.5, 7.14 4K–2K resolution, 2:1/16:9 comparison and timelapse clouds, Mark Andersen, (www.rubberball.com)
Figures 7.6, 7.10 Frame guides and slow-motion fire footage, Bob Glusic and Art Levy, (www.mammothhd.com)
Figure 7.7 24p motion, Hybrid, DP John Leonetti, RED Specialist Colin Hubick, (www.mindseyepictures.com)
Figure 7.15 Time lapse footage, Artbeats, Inc., (www.artbeats.com)
POV Interview Nancy Schreiber, ASC, photo by Yousef Linjawi, (www.youseflinjawi.com)
8. BUILDING A POSTPRODUCTION SYSTEM
Figure 8.1, 8.7 Apple hardware, Courtesy of Apple, (www.apple.com)
Figure 8.2 Final Cut Pro footage, Leo Ticheli, (www.ltpro.com)
Figure 8.3 Adobe footage, Obin Olson, (www.dv3productions.com)
Figure 8.4 Avid footage, Scott Matthews, USAF
Figure 8.6 CalDigit RAID, Lauren O’Grady, (www.caldigit.com)
Figure 8.8 Decklink HD, Blackmagic Design, (www.blackmagic-design.com)
POV Interview Michael Cioni, photo by Michael Cioni, (www.lightirondigital.com)
Page 172 Helicopter rig in Afghanistan, Scott Matthews, USAF
Figures 9.1–9.3, 9.5, 9.6, 9.9, 9.25–9.27, 9.30 Racing and worker footage, Simplemente, (www.simplemente.net)
POV Interview Brook Willard, (www.brookwillard.com)
Page 200 Car rig from Hybrid, Colin Hubick, (www.mindseyepictures.com)
10. APPLE FINAL CUT PRO WORKFLOW
Figures 10.2, 10.3 Log and Transfer and project window footage, Naked Dawn, Shawn Booth, (www.funnyordie.com)
Figure 10.7 Cinema Tools Database footage, Ric Forster, (www.lolseries.com)
POV Interview Evin Grant, photo by Kiana Grant, (www.evingrant.com)
11. ADOBE PREMIERE PRO WORKFLOW
Figures 11.4–11.7, 11.9 Racing footage, Simplemente, (www.simplemente.net)
Figure 12.2 Transcode settings, Dean Georgopoulos, (www.redone4rent.com)
Figure 12.3 Tula music video, Snow, (www.snowdrum.com)
Figure 12.5 Timecode burn-in, Keep Strivin’ by Al Kapone, Director JD McDonnell, DP Adam Habib, (www.truesouthstudios.com)
Figures 12.10, 12.16 Football footage, Simplemente, (www.simplemente.net)
Figure 12.12 AFE file in DS, Shawn Nelson, (www.nelsonentertainment.com)
POV Interview Michael Phillips, photo by Howard A. Phillips, (www.avid.com)
Figure 13.4–13.6 SCRATCH screens, Nacho Mazzini, (www.assimilateinc.com)
Figure 13.7–13.9 IRIDAS screens, Patrick Palmer, (www.iridas.com)
Figure 13.11 Encore screen, Dave Helmly, (www.adobe.com)
Figure 13.16 DVD Studio Pro footage, Bob Glusic, (www.MammothHD.com)
POV Interview Simon Duggan, ACS, photo by Vince Valitutti, (www.vincethephotographer.com)
Page 270 Sunset on the set of Manure, M. David Mullen, ASC, (www.davidmullenasc.com)
Figures 14.1, 14.12 Quantum hardware, Alistair Washbourn, (www.quantum.com)
Figure 14.2 G-Tech hardware, Erin Hartin, (www.fabrik.com)
Figures 14.5, 14.6 Shotput Pro, Dan Montgomery, (www.imagineproducts.com)
Figure 14.7 R3D Data Manager, Conrad Hunziker III, (www.r3ddata.com)
Figure 14.9 Active Storage drive, Louie Santos, (www.getactivestorage.com)
Figure 14.14 HP hardware, Nora Upalawanna, (www.hp.com)
Figure 14.16 Retrospect, Kristin Goedert, (www.retrospect.com)
Figure 14.17 BRU, Paige Jones, (www.tolisgroup.com)
Figure 14.18 PresSTORE Archive, Isabella Holz, (www.archiware.com)
Figure 14.19 Atempo Digital Archive, Janet Lafleur, (www.atempo.com)
Figure 14.20 Underground Vault, Nancy Young, (www.undergroundvaults.com)
POV Interview, page 291 and 293 Greg Williams, © Greg Williams / Art + Commerce
Figure 15.1 M. David Mullen, ASC, Anna Marie Fox, (www.davidmullenasc.com)
Page 312 Mumbai, India, Mike Hedge, (www.mikehedge.com)
Page 313 Artbeats, Inc. (www.artbeats.com)
Page 314, top Rodney Charters ASC, (www.rodneycharters.com)
Page 314, bottom James McAleer, STEADI-RED Ltd, (www.steadi-red.com)
Page 315, top Thor Wixom, Mammoth HD Footage Library, (www.mammothhd.com)
Page 315, bottom Watering Life, Mammoth HD Footage Library, (www.mammothhd.com)
Page 316, top Dean Georgopoulos, (www.red31.com)
Page 316, bottom Scene from Hybrid, DP John Leonetti, RED Specialist Colin Hubick, (www.mindseyepictures.com)