WAYANG PUPPETRY OF INDONESIA
Backlit against a translucent white screen and accompanied by chanting and a gamelan orchestra, the wayang, or shadow puppets, of Bali are dramatic theatrical expressions encompassing lighthearted comedy as well as religious teachings. Dating from the 10th century, the play of these fully articulated puppets provides entertainment as well as lessons in ethical and moral values. The puppets can be either two-dimensional flat figures cut from leather or three-dimensional painted wooden sculptures, usually made to resemble historical figures or deities. The dalang, or puppeteer, commands a high amount of respect from the community since he plays the multiple roles of actor (he voices all of the wayang puppets), teacher, historian, and entertainer for the masses. The performance must include jokes and songs as well as historical and social commentary.
A new type of wayang puppet theater has emerged in the 21st century: skateboard shadow puppets. Electric lamps, lasers, and computers are used to tell stories of modern-day events and characters. Since the projection screen is twice as big as the conventional screen, the puppeteer has numerous assistants who move around behind the massive screen on skateboards—hence the name! Wayang puppetry retains its relevance by adapting its characters and weaving in contemporary social and political issues while maintaining its commitment to entertain with a good story, hand-crafted puppets, and a committed storyteller. —SBR