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Iris Blur: yes and no
1
Choose Filter > Blur > Iris Blur and this is what you’ll see:
an ellipse appears centered over your photograph. There’s
also a Panel, but frankly you rarely need to touch it.
4
Dragging the four inner white dots marks the falloff
between blurred and unblurred regions. You can
also hold O A as you drag the dots to move them
independently of each other.
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First, make the layer into a Smart Object (if it’s a
Background layer, you’ll need to turn it into a real layer
first). Choose Filter > Blur > Gaussian Blur and set as much blur
as you want.
P
HOTOSHOP CS6 INTRODUCED
three new Blur filters, found together at
the top of the Filter > Blur menu. They’re Field
Blur, Iris Blur, and Tilt-Shift.
All three filters are designed to simulate
depth-of-field effects. The Tilt-Shift technique
is one that became briefly popular a couple of
years ago, as it allowed landscape shots to look
like model railways through innovative use of
high and low blurring in the image. These days,
though, it’s seen as a rather hackneyed look.
The Iris Blur filter attempts to reproduce
the effect of the subject of a photograph
remaining sharp, while everything else is
knocked out of focus. It’s a good idea, but
the problem is that it’s limited to elliptical
selections. Although the controls are well
thought-out, the end result is never quite as
good as it should be.
To contrast the new filter, we’ll look at how
to achieve a similar effect – and achieve it
better – using the existing Gaussian Blur filter.
Iris Blur: the manual
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Hyper realism