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1
Here’s the same television we used before, placed against
a black background. If you’re going to use explosions
and flying glass, the effect always works best against a dark
background; explosions rarely show up well against white.
4
Now we can bring in the flying glass and broken screen
from the previous page, rotating it to fit the new angle of
the screen border. That’s the basics of the television finished:
all we need to do now is to add the elements that will make
the destruction look more explosive.
W
HICH OF US HASN’T WANTED, AT
some time or other, to take a
sledgehammer to our computer when it
freezes? Or to our television during an election
broadcast? With Photoshop, it’s easy to vent
your anger without voiding your insurance.
The illustration above was for a Sunday
Telegraph article about the collapse of housing
prices. It’s a straightforward metaphor, but
added more interest than the usual shot of a
row of For Sale signs.
The principles of breaking up technology
apply equally well to televisions as to houses:
it’s a matter of making holes and then filling the
gaps. Following on from the previous page, we’ll
look here at how to make a television explode.
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Smashing things up 1
FIREWORK IMAGE: COREL
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Hyper realism