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MART OBJECTS ARE A RADICAL
departure from the way we’ve treated
Photoshop layers before. In the past, distorting
a layer or group meant irrevocably changing it,
and we could expect more degradation of the
image each time we applied a further rotation
or other transformation to it.
Now, we can group multiple layers together
into new units that store the data for future
reference (the layers are actually saved in their
original state within the Photoshop file). This
means that not only can we apply as many
distortions as we like to layers without losing
their integrity, we can also change the original
Smart Object and then have that change
reflected in each instance of it on the page.
Each Smart Object can contain many
layers, although it appears to be just a single
layer in the Layers panel. You can distort,
transform, apply filters and scale a Smart
Object as much as you like without ever
damaging the original. The only thing you can’t
do is paint directly on it: to edit the contents,
double-click it and it will open in a new window
with all the layers intact.
Here, we’ll look at how to put this innovative
technology to work for us.
1
The image we’re going to use is shown on the left. Here,
I’ve added two extra layers: a background that’s larger
than the image, to make the frame; and a brownish stained
paper overlay, set to Hard Light mode, to add texture.
4
To make the shadow, first make a new layer behind the
Smart Object. Hold O A as you click the four corners
with the Lasso tool, then fill with black. This is the trick to
creating shadows of curled objects: if the shadow itself is
straight-edged, it accentuates the curling even more.
7
The best thing about applying Smart Filters is that,
like Adjustment Layers, they come with a Layer Mask
attached. This means we can paint out the effect where we
don’t want it: so the center of the image can remain crisp,
while only the front and rear edges are out of focus.
Working with Smart Objects
14
Advanced techniques